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  1. Anthony Katagas's very first producing effort was the indie food-service comedy "In the Weeds" (2000), starring Ellen Pompeo and Molly Ringwald. After that first effort, Katagas enjoyed quite a bit of Hollywood success as a producer, working with such Hollywood luminaries as Paul Haggis, John Singleton, Lasse Hallstrom and Sofia Coppola.

  2. Age, Biography and Wiki. Anthony Katagas was born on 1 January, 1971 in Great Neck, New York, United States. Discover Anthony Katagas's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 53 years old?

  3. Anthony Katagas is one of the most prolific producers working in American independent film. Winner of the Academy Award for Best Picture for his role in producing "12 Years a Slave," he has produced nearly 35 films in the last twelve years. He has worked with a variety of innovative and award-winning filmmakers, including James Gray, John ...

  4. Anthony Katagas adalah seorang produser film Yunani-Amerika pemenang Oscar. Ia adalah alumnus Western New England University di Springfield, Massachusetts. Filmografi. 12 Years a Slave (2013) The Immigrant (2013) The Lost City of Z (2016) The Silent Man (produser) (rampung) (2017) Ad Astra (produser) (pra-produksi) (2017)

  5. Anthony Katagas is known as an Producer, Unit Production Manager, Executive Producer, Co-Producer, Actor, Production Manager, Production Supervisor, Line Producer, and Second Second Assistant Director. Some of his work includes 12 Years a Slave, Lost in Translation, Nerve, Ad Astra, Uncut Gems, The Trial of the Chicago 7, The Next Three Days, and The Lost City of Z.

  6. Searching to find out more about Anthony Katagas? We have a full Biography, Photos, Theatre Credits, Videos and more! Check out Anthony Katagas's bio now including film and tv, as well as on stage.

  7. Jan 11, 2023 · Both Gray and his longtime producer Anthony Katagas also talk about the importance of making movies for the big screen, and the current marketplace between event films and smaller titles.