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Maria (upcoming film) Maria. (upcoming film) Maria is an upcoming biographical drama film about opera singer Maria Callas. It is directed by Pablo Larraín, written by Steven Knight, produced by Fremantle, and stars Angelina Jolie in the title role, with Valeria Golino as her sister Yakinthi, and Haluk Bilginer as Aristotle Onassis .
Pablo LARRAÍN (1976, Chile) studied Audiovisual Communication at UNIACC University. He is a founding member of Fabula. In 2006 he made his debut film, Fuga. His second feature, Tony Manero, premiered in Cannes in 2008 and later won the KNF prize in Rotterdam. With his successive films Post Mortem and No, he completed his trilogy […]
Pablo Larraín Matte is a Chilean filmmaker. He is known for films such as No (2012), Neruda (2016), Jackie (2016), and Spencer (2021). In 2017, Larraín and his brother Juan de Dios co-produced Sebastián Lelio's A Fantastic Woman, which was the first Chilean film to win the Academy Award for Best Foreign Language Film.
Aug 10, 2023 · “El Conde”Courtesy Pablo Larraín/Netflix His story, narrated by a woman who remains a mystery until another history-busting twist late in the game, revolves around the vampire’s desire to ...
Figlio di due politici conservatori, l'ex presidente dell' Unione Democratica Indipendente Hernán Larraín e la ministra Magdalena Matte, Pablo Larraín, una volta terminato il collegio, studia comunicazione all'Universidad de Artes, Ciencias y Comunicación (UNIACC) di Santiago. Ha fondato "Fabula", una società di produzione audiovisiva e ...
Feb 14, 2024 · El Conde is the fulfillment of a promise that was made more than a decade ago.. In 2010, the Chilean filmmaker Pablo Larraín was taking his third film, Post Mortem, around the festival circuit when his path crossed with Oscar-nominated cinematographer Edward Lachman.
Horror in Pablo Larraín’s Post Mortem (2010)Rosa TapiaAbstractPost Mortem by Chilean filmmaker Pablo Larraín challenges traditional cinematic con-ventions of affect and spectacle through a narrative o. spaces and bodies that is neither realist, comedic, nor melodramatic. This chapter draws upon affect theories that study the spe.
