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  1. Sergei Eisenstein, long regarded as a pioneer of film art, changed cinematic strategies halfway through his career. Upon returning from Hollywood and Mexico in the late 1930s, he left behind the densely edited style of celebrated silents like Battleship Potemkin and October, turning instead to historical sources, contradictory audiovisuals, and theatrical sets for his grandiose yet subversive sound-era work.

  2. Jul 23, 2020 · Sergei Eisenstein’s film “The General Line”was an experiment in presenting the feeling of ecstasy in film. Directed by both Eisenstein and Grigori Aleksandrov, the film, centering on a rural heroine instead of a group of characters, was a celebration of the collectivization of agriculture, a policy championed by Bolshevik Leon Trotsky.

  3. www.theyshootpictures.com › eisensteinsergeiTSPDT - Sergei Eisenstein

    Sergei Eisenstein "The intellectual and expressive possibilities revealed by Strike , Battleship Potemkin , and October and the vast culture and intelligence he brought to filmmaking, film teaching and the problems of aesthetic theory in the cinema establish him firmly as one of the incontestable great masters of the art."

  4. Sergei Mikhailovich Eisenstein was a Soviet film director and film theorist, a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958).

  5. Sergei Eisenstein. Sergei Mihhailovitš Eisenstein [eisenštein] ( vene keeles Сергей Михайлович Эйзенштейн; 22. jaanuar ( vkj. 10. jaanuar) 1898 Riia – 11. veebruar 1948 Moskva) oli vene filmilavastaja, -stsenarist ja -teoreetik. Sergei Eisensteini tuntumad filmid on "Soomuslaev "Potjomkin"" (1925), "Oktoober" (1927 ...

  6. Jun 11, 2018 · EISENSTEIN, SERGEI MIKHAILOVICH (1898–1948), Russian film director, son of a Jewish father who converted to Christianity and a non-Jewish mother. Eisenstein's work, revolutionary both in technique and in subject matter, was a major contribution to the modern art of the cinema.

  7. Sergei Mikhailovich Eisenstein was a pioneering Soviet Russian film director and film theorist, often considered to be the "Father of Montage." He is noted in particular for his silent films Strike (1924), Battleship Potemkin (1925) and October (1927), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958).