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Find Famous Western European Traditions Artists and Musicians on AllMusic
Jul 1, 2009 · A History of European Music, Part 1. From the desk of Fjordman on Wed, 2009-07-01 09:20. The earliest evidence we have of musical instruments dates back to the Old Stone Age. We know that there were rich musical traditions in ancient Mesopotamia, Egypt, India, China and elsewhere. Indirectly, it is possible that some aspects of Babylonian ...
Feb 15, 2024 · In Indian classical music, you’ll hear instruments like the sitar, tabla, sarod, flute, and harmonium. Each of them has a special job in making the detailed patterns of ragas and talas. Now, in Western music, there’s a whole mix of instruments like the piano, violin, cello, trumpet, saxophone, and more. They come together in orchestras or ...
Jul 16, 2023 · Jazz, Blues, and World Music. Much of the music that is popular today cannot really be classified as completely Western or Non-Western. Since colonial times, when European cultures came into contact with many Non-Western cultures, musicians on all sides have been experimenting with music that is a blend of "the best of both worlds."
Western Europe is the western region of Europe. The region's extent varies depending on context. The concept of "the West" appeared in Europe in juxtaposition to "the East" and originally applied to the ancient Mediterranean world, the Roman Empire (both Western and Eastern ), and medieval " Christendom ". Beginning with the Renaissance and the ...
Jan 9, 2015 · Non-Western music is any music that grew out of a different culture or musical tradition than the European. For someone who grew up listening to Western music, Non-Western music will have a recognizably exotic sound. This comes from the use of different tuning systems, different scales, different vocal styles and performance practices, and ...
Mar 3, 2023 · While some have proposed that music itself can be abstracted into an apolitical, a-cultural, musical essence, there are strong counter arguments to suggest that music, culture, politics, and power are inextricably linked (Bowman, 2007; Jorgensen, 2007; Koza, 2010). Indeed, the features that give music its color, flavor, and diversity are inherently reflections of the same sociopolitical factors that impact our cultures.
