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Sep 30, 2019 · The violence in this movie means to shock, and it does. Fleck’s alienation in the early scenes evokes Travis Bickle’s, but this movie is too chicken-livered to give Fleck Bickle’s racism, although it depicts him mostly getting hassled by people of color in the first third. Fleck is also fixated with a Carson-like talk-show host played by ...
Jun 7, 2002 · Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. Now playing
Jun 14, 2024 · Roger Ebert was an American film critic, perhaps the best known of his profession, who became the first person to receive a Pulitzer Prize for film criticism (1975). Ebert’s journalism career began at the Champaign-Urbana News-Gazette, where he worked as a sportswriter from age 15.
Dec 13, 2007 · Written by. Jason Reitman's "Juno" is just about the best movie of the year. It is very smart, very funny and very touching; it begins with the pacing of a screwball comedy and ends as a portrait of characters we have come to love. Strange, how during Juno's hip dialogue and cocky bravado, we begin to understand the young woman inside, and we ...
Dec 22, 2005 · At crucial times in a nation’s history, its best friends may be its critics. Spielberg did not have to make “Munich,” but he needed to. With this film he has dramatically opened a wider dialogue, helping to make the inarguable into the debatable. As a thriller, “Munich” is efficient, absorbing, effective.
Nov 5, 1999 · Written by. Eric Roth. Mann. Michael Mann's "The Insider" makes a thriller and expose out of how big tobacco's long-running tissue of lies was finally exposed by investigative journalism. At its center stands Lowell Bergman, a producer for "60 Minutes," the CBS News program where a former tobacco scientist named Jeffrey Wigand spilled the beans.
Feb 26, 1999 · Written by. Andrew Kevin Walker. Joel Schumacher's "8mm'' is a dark, dank journey into the underworld of snuff films, undertaken by a private investigator who is appalled and changed by what he finds. It deals with the materials of violent exploitation films, but in a non-pornographic way; it would rather horrify than thrill.
