Search results
The Good, the Bad and the Ugly El bueno, el feo y el malo Zwei glorreiche Halunken I due magnifici straccioni (pracovní název) Dobrý, zlý a škaredý The Good, the Bad and the Ugly The Good, the Bad and the Ugly
Set during the Civil War, three disparate drifters...(the pancho-clad, cigar-chewing, silent but supremely self-confident 'Man with No Name'--the Good; the evil bounty hunter--the Bad; and a renegade Mexican bandit--the Ugly)...search for a Confederate cash box containing $200,000 which is hidden in a distant cemetery in an unmarked grave. The journey to the cemetery will carry them through the ferocity of the Civil War landscape. Sometimes they will masquerade as Yankees, sometimes as ...
A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.Subscribe: https://...
- 7 min
- 1.8M
- MGM
The Good, the Bad and the Ugly (1966) cast and crew credits, including actors, actresses, directors, writers and more.
"The Good, the Bad and the Ugly" has only the thinnest of plots: Three criminals are searching for a gold shipment during the Civil War. But the plot hardly matters, because the method of director Sergio Leone is to create a series of short, self-contained scenes. There are some good ones, as when Wallach finds a wagon of dying and dead men in ...
1967. TV-14. United Artists. 2 h 58 m. Summary For three men the Civil War wasn't hell... it was practice! Clint Eastwood returns as "The Man with No Name," this time teaming with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a cache of $200,000 and letting no one, not even warring factions in a civil war, stand in their way.
In The Good, the Bad, and the Ugly, themes of war, murder, and greed fuse into a pseudo-serious, gore-punctuated epic that intercuts Tucco's torture scene with the lilting strains of a band in a Civil War prison camp. Combining the deadly serious with the sickly comic, Leone's entertaining, anarchic western formula parallels James Whale's ...
