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Aug 17, 2013 · The corrupt Mamachan Muthalaly (‘Adaminte Variyellu’ – 1984) is a ruthless man with a guillotine-like precision and finality to his actions. But his eyes betray him on rare occasions. During such moments they exhibit a certain unmanliness which exposes an inner self tormented by incurable guilt.
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Released : 1/09/1978. Thampu (The Circus Tent) was G Aravindan ‘s third feature film, Nedumudi Venu’s debut film, and Bharat Gopy’s second film as an actor, or one could say, his first role as a character that strides the entire length of the feature. Thampu (1978) was also the debut of MG Radhakrishnan as a Music Director in Malayalam.
Mohanlal and Bharat Gopy came together onscreen for the first time in Navodaya’s Ente Mamattikutty Ammaykku in 1983, which remains one of the biggest commercial successes Malayalam cinema. They went on to create some memorable films together in the following years – Kattathe Kilikkodu, Appunni, Aduthaduthu, Akkare, Karimbinpoovinakkare, Rasathanthram, to name a few.
Bharat Gopy was an active part of the cast and supporting crew in their presentation of the Malayalam version of Bodhayana’s ‘Bhagavadajjukam’ in 1971. This was followed by the ‘Daivathar’, written by Kavalam himself, in 1973 and directed by Kumara Varma which explored the native elements of rhythm and movement.
The movie marks the debut of Bharat Gopy and Karamana Janardhanan Nair in film, the director’s first feature and the Chitralekha Film Co-op’s foray into film production. Garnering worldwide recognition and critical acclaim on release, Swayamvaram (1972) could easily be called the pioneer in ushering in the New Wave Cinema movement in Malayalam Cinema.
Aug 29, 2010 · I feel that the film takes some missteps when it comes to the behaviour of the characters, particularly in the climactic scene where Unnikrishnan and Asha resolve their dispute, which felt somewhat sudden and thus a little too theatrical. I felt there was something lacking in the way the “relationship” between the professor and Asha was built, particularly with regards to the professor’s personality and character.
