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  1. 17 May 1979. ( 1979-05-17) Running time. 82 minutes. Country. West Germany. Language. German. Cola, Candy, Chocolate is a 1979 West German sex comedy film directed by Sigi Rothemund and starring Olivia Pascal, Philippe Ricci and Christine Zierl [ de].

  2. Karl Spiehs's films include Libido, Fiorile, Poppies Are Also Flowers, Train Station Pickups We use cookies to ensure that we give you the best experience on our ...

  3. Download this stock image: Widow Ingrid Flick and companion Peter Scheer dance at the Hofburg, where the 50 year anniversary of the business of producer Karl Spiehs were celebrated in Vienna, Austria, 29 October 2010. Celebrities from all walks of life attended the Gala. Photo: Ursula Dueren - D52ACB from Alamy's library of millions of high resolution stock photos, illustrations and vectors.

  4. Premiere: USA. September 1972. Production Companies. Lisa-Film. Also Known As. Swedish Wife Exchange Club United States. Comedy. The still young Marianne already lives in divorce from her boring, loveless husband, who also seems to have fallen asleep sexually in every respect.

  5. Jan 27, 2022 · Filmproduzent Karl Spiehs gestorben. Der österreichische Film- und Fernsehproduzent Karl Spiehs ist tot. Der gebürtige Niederösterreicher verstarb am heutigen Donnerstag im Alter von 90 Jahren, wie seine Produktionsfirma Lisa Film mitteilte. 27. Jänner 2022, 9.53 Uhr. Dieser Artikel ist älter als ein Jahr. Teilen. Geboren wurde Karl Spiehs ...

  6. Strong Times. 34. Genre (s): Comedy Romance. Release year: 1988. Running time: 92 min. Starke Zeiten is a 1988 West German comedy film directed by Klaudi Fröhlich, Rolf Olsen, Otto Retzer, Sigi Rothemund and Helmut Fischer. The film has been produced by Karl Spiehs and Luggi Waldleitner.

  7. Karl Spiehs was an Austrian movie producer. With his movie production company LISA Film, he became one of the most prolific movie producers of the German-speaking world. The output of his company featured shallow comedies, raunchy sex movies, cheesy music films, but also exploitation films. Many of these films were slated by critics but enjoyed considerable commercial success. From the early 1990s onwards, he increasingly shifted the focus of his company from cinematic movies to made-for-tv ...