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  1. Chu Tʻien-hsin is a Taiwanese writer.[1] She is considered Taiwan's foremost author on life in military dependents' villages. For faster navigation, this Iframe is preloading the Wikiwand page for Chu Tʽien-hsin .

  2. Chu Tien-wen (; born 24 August 1956) is a Taiwanese fiction writer. Chu is perhaps best known for writing the screenplays for most Hou Hsiao-hsien films. She is the recipient of the 2015 Newman Prize for Chinese Literature. Her father Chu Hsi-ning and younger sister Chu Tien-hsin are also famous writers. Biography. Chu Tien-wen was born in ...

  3. This category includes biographical stub articles related to both Taiwan and the other islands which together constitute the Republic of China, as well as historical articles relating to China between 1911 and 1949. To add stubs to this category, use { { Taiwan-stub }} rather than { { stub }}. Please click here to see Republic of China -related ...

  4. Chu Tien-wen (; born 24 August 1956) is a Taiwanese fiction writer. Chu is perhaps best known for writing the screenplays for most Hou Hsiao-hsien films. She is the recipient of the 2015 Newman Prize for Chinese Literature. Her father Chu Hsi-ning and younger sister Chu Tien-hsin are also famous writers. Biography. Chu Tien-wen was born in ...

  5. Oct 20, 2022 · Chu Tʻien-wen (Chinese: 朱天文; born 24 August 1956) is a Taiwanese fiction writer. Chu is perhaps best known for writing the screenplays for most Hou Hsiao-hsien films. She is the recipient of the 2015 Newman Prize for Chinese Literature. Her father Chu Hsi-ning and younger sister Chu Tʻien-hsin are also famous writers.

  6. Chu Tʽien-hsin (born 12 March 1958) is a Taiwanese writer. She is considered Taiwan's foremost author on life in military dependents' villages. Her father Chu Hsi-ning and older sister Chu Tʽien-wen are also famous writers.

  7. Feb 4, 2021 · Composed in a procession of entrancing long takes, Flowers of Shanghai evokes a vanished world of decadence and cruelty, an insular universe where much of the dramatic action remains tantalizingly offscreen—even as its emotional fallout registers with quiet devastation. Year. 1998. Runtime. 113 minutes. Language. Shanghainese, Cantonese. Country.