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The truth must be told. In 1987 Korea, under an oppressive military regime, a college student gets killed during a police interrogation involving torture. Government of officials are quick to cover up the death and order the body to be cremated. A prosecutor who is supposed to sign the cremation release, raises questions about a 21-year-old kid ...
film music composer , 음악으로 연출하는 사람 ... Music by Kim Tae-seong. 안녕 UFO (2004) 백만장자의 첫사랑(2005) 크로싱(2008) 슬픔보다 더 ...
Born in 1979, KIM Tae-seong is a film composer and music producer. Particularly fond of film scores since his childhood, he would gather a large collection of soundtrack cassette tapes and even record himself his own cassettes. As he would listen to the music of Indiana Jones, the Goonies and E.T. until they wear out, he came to think about how these music pieces interact with their respective movies. He started composing his own soundtracks in his early 20s for movie trailers, and ...
Kim Tae-seong (born August 4, 1979) is a South Korean film and television composer. His credits include the films Crossing (2008), War of the Arrows (2011), (2014), (2017), Extreme Job (2019), Space Sweepers (2021), The Roundup (2022) and the television series Emergency Couple (2014), Squad 38 (2016), Bad Guys 2 (2017), The Guest (2018) and My Liberation Notes (2022).
Kim Tae-seong is a games composer who started the games industry career in 1900. Since then, Tae-seong has been working with CreativeForge Games and 子夜华灯. Tae-seong's first published game was The Grand Heist. After that, Kim Tae-seong took part as the composer of Phantom Detective.
Oct 3, 2022 · Kim Tae-seong (born August 4, 1979) is a South Korean film and television composer. His credits include the films Crossing (2008), War of the Arrows (2011), The Admiral: Roaring Currents (2014), 1987: When the Day Comes (2017), Extreme Job (2019), Space Sweepers (2021), The Roundup (2022) and the television series Emergency Couple (2014), Squad 38 (2016), Bad Guys 2 (2017), The Guest (2018) and My Liberation Notes (2022).
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