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Franz Waxman’s Rhapsody for Piano and Orchestra is a concerto treatment of the major themes, reworked by the composer, from the David O. Selznick production of The Paradine Case, the third of four collaborations with director Alfred Hitchcock. They had previously worked together on Rebecca (1940), Suspicion (1941) and would reunite for Rear ...
Oct 5, 2023 · Franz Waxman (December 24, 1906 – February 24, 1967) was a German American composer, known for his bravura Carmen Fantasie for violin and orchestra, based on musical themes from the Bizet opera Carmen, and for his musical scores for films like the "Bride of Frankenstein" from 1935.
Franz Waxman’s Rhapsody for Piano and Orchestra is a concerto treatment of the major themes, reworked by the composer, from the David O. Selznick production of The Paradine Case, the third of four collaborations with director Alfred Hitchcock. They had previously worked together on Rebecca (1940), Suspicion (1941) and would reunite for Rear ...
Franz Waxman. American composer Franz Waxman was born in Upper Silesia, Germany, on December 24, 1906. After pursuing a career in banking for two years, he completed his musical studies in Dresden and Berlin. In 1929 he was hired in Germany by a film studio to arrange and conduct Frederick Holländer's score for The Blue Angel. The success of ...
Franz Waxman's music from The Paradine Case then concludes with a short and brilliant coda. RECORDS: The Paradine Case . ANNOUNCER: Writing in Film Music Notes of January-February, 1950, Lawrence Morton said of Waxman's music: "In general, it has the grandiloquent expressiveness, the splendor and luxuriousness of texture that are characteristic of late German romantic music.
Nov 2, 2012 · The most famous excerpt from Franz Waxman's classic score for Taras Bulba. Classic FM Orchestra of Sofia, Bulgaria, John McLaughlin Williams, Conductor.
- 5 min
- 27.6K
- minacciosa
Waxman’s score for Rear Window (Paramount, 1954) was actually a brilliant and carefully orchestrated collection of popular songs and melodies designed to provide a backdrop to the action. In addition to the conventional film accompaniment, much of the score is intended to serve as diegetic background music heard in the apartment complex.
