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  1. S. Sapphire (film) Saraband for Dead Lovers. The Secret Partner. The Ship That Died of Shame. The Smallest Show on Earth. The Square Ring (1953 film)

  2. Find information about "basil-dearden-" watch "basil-dearden-" on AllMovie

  3. Dec 14, 2009 · Later in the 1950s, Dearden and Relph branched out into independent production and became particularly associated with a cycle of controversial social problem films that included Sapphire (1959) and Victim (1961).This new study takes an extensive view of the cinema of Basil Dearden and Michael Relph. It considers in detail their contribution to the celebrated achievements of wartime cinema at Ealing, brings a new focus to their post-war films that addressed masculine adjustment in a period ...

  4. The Assassination Bureau: Directed by Basil Dearden. With Oliver Reed, Diana Rigg, Telly Savalas, Curd Jürgens. A woman causes a group of assassins to face their greatest challenge.

  5. Othello is translated to the world of sixties London jazz clubs in Basil Dearden’s smoky and sensational All Night Long. Over the course of one eventful evening, the anniversary celebration of the musical and romantic partners Aurelius Rex (Paul Harris) and Delia Lane (Marti Stevens), a jealous, ambitious drummer, Johnny Cousin (Patrick McGoohan), attempts to tear the interracial couple apart. This daring psychodrama also features on-screen appearances by jazz legends Charles Mingus, Dave ...

  6. Basil Dearden's unmistakably political taboo buster was one of the first films to address homophobia head-on, a cry of protest against British laws forbidding homosexuality. Directed by Basil Dearden • 1961 • United Kingdom An extraordinary performance by Dirk Bogarde grounds this intense, sobering indictment of early-sixties social intolerance and sexual puritanism.

  7. A beautiful female college student is found dead in a public park; the police soon discover that her murder may have been racially motivated. Basil Dearden’s bold, direct police procedural, starring Nigel Patrick as the detective in charge of the investigation, is a devastating look at the way bigotry crosses class divides, and a snapshot of the increasingly interracial culture of England in the late fifties.