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  1. Accounts Officer (I/c) gsdsadmo [at]gmail [dot]com. 011-21400316. 9. Dr. Sailaja Gullapalli. Research Associate. researchgsds1 [at]gmail [dot]com. Gandhi Smriti and Darshan Samiti, Functional spectrum of the Samiti ranges.

  2. Gandhi Smriti has also participated and displayed the artworks created by different school children. Artworks prepared by using cardboard, old glass bottles, newspaper, waste wood blocks,wire,thermocol,painted cloth bags, paper plates was created.

  3. The Gandhi Smriti (Memorial/Musuem) is the location where Mahatma Gandhi had spent the final days of his life - before being assassinated in the garden area. This Memorial/Museum area was formerly an estate that was once owned by a wealthy Indian business tycoon who had invited Gandhi to stay for several months.

  4. Gandhi Smriti, housed in the Old Birla House on 5, Tees January Marg, New Delhi, is the sacred place where Mahatma Gandhi’s epic Life ended on 30 January 1948. Mahatma Gandhi had lived in this house on September 9, 1947, to January 30, 1948.

  5. A tribute to Mahatma Gandhi, the Rashtriya Swachhata Kendra (RSK) was first announced by the Hon'ble Prime Minister on 10th April 2017 at the centenary celebrations of Gandhiji's indigo agitation, the Champaran Satyagraha. The RSK has been established at the Gandhi Smriti and Darshan Samiti at Rajghat in New Delhi - a dynamic experience centre ...

  6. Located at Rajghat (Delhi), Gandhi Smriti and Darshan Samiti was formed in September 1984 by the merger of Gandhi Darshan at Rajghat and Gandhi Smriti. The main attraction: Gandhi Smriti is one of the biggest museums of Gandhi and has a library where around 60,000 books are kept and has bookshops selling books of Gandhi. There are around 6000 ...

  7. The Objectives of the Samiti. To plan and carry out activities for the promotion of Gandhian ideals and philosophy. To keep Gandhi Smriti and Darshan Samiti open for public as per standard rules related to the museum and maintain it to provide maximum convenience to visitors. Promote Audience Development and Museum Management Framework in both ...