Search results
Aug 12, 2022 · When Badal Sircar’s absurdist play Evam Indrajit was staged in 1963, it foreshadowed the angst of the Naxalite movement and created a stir in theatre circles. Sircar would later pioneer Third Theatre, which looks beyond the proscenium format and engages with the audience interactively, making them participate in the unfolding action.
Badal Sircar. Badal Sircar (15 July 1925 – 13 May 2011), also known as Badal Sarkar, was an influential Indian dramatist and theatre director, most known for his anti-establishment plays during the Naxalite movement in the 1970s and taking theatre out of the proscenium and into public arena, when he transformed his own theatre company ...
Sircar‟s use of chorus is vivifying one. He stresses not only the universal nature of the characters he creates in his plays, as the actors fluidly take on roles and then merge back into the group. As the search for Khoka is about to commence, an old man (in viably played by Badal Sirar himself) who has entered the acting field.
May 16, 2011 · Sudhanva DeshpandeNewsclick 16 May 2011. Theatre. India. Badal Sircar remained, in many ways, the outsider in Indian theatre. He was a prolific playwright, author or more than 50 plays, and the winner of several awards, including the Sangeet Natak Akademi award and the Padmashri. Ebong Indrajeet (Evam Indrajeet, ‘And Indrajeet’, 1963) and ...
Mar 27, 2017 · Badal Sircar was an influential Indian dramatist and theatre director, most known for his anti-establishment plays during the Naxalite movement in the 1970s and taking theatre out of the ...
Badal Sircar: middle class responsibilities: article and interview. Keywords: Dramatists, Indic Playwrights Dramatists Sircar, Badal, 1925-2011. Issue Date: 1971. Publisher: Sangeet Natak Akademi, New Delhi. Description: It is the Interview of Indian dramatist Badal Sircar which was taken by the Samik Bandopadhyaya. Source: Sangeet Natak ...
Sircar himself has said, “I can be taken as a prototype of a particular class in a society at a particular period”. Badal Sircar’s Some Day Later (Pare Konodin) is a complex interviewing of the realistic and the fantastical modes. Time is broken up so that the present as seen in the play is already past time to some of the characters.
