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Sep 20, 2009 · Bitter Moon (1992) Trailerhttp://www.imdb.com/title/tt0104779/Director: Roman PolanskiEmmanuelle Seigner,Peter Coyote,Hugh Grant, Kristin Scott Thomas
- 2 min
- 234.6K
- Danios12345
Featuring dazzling performances and nasty comic moments, Bitter Moon is a hilarious walk on the wild side. Academy Award-winning director Roman Polanski explores the sexy side of obsession and the wild side of romance in this outrageous look at the dark side of love. Starring Hugh Grant (About A Boy, Bridget Jones's Diary), Peter Coyote ...
- 139 min
filthy little scumbag, you! it's impossible to watch Bitter Moon without the knowledge of Polanskis rascalities, and seeing it as an own little psychoanalytic journey into his mind of male fantasies, fetishes, desires and anxieties - very similar to Fellinis sprawling epics. women are only objects here - femme fatales, but the fatality they arouse is already implanted in the man's mind, as the inceptor of his drives.
British couple Fiona (Dame Kristin Scott Thomas) and Nigel (Hugh Grant) are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night, Nigel meets her while dancing alone in the ship's bar. Later, he meets her crippled American husband Oscar (Peter Coyote), who tells him their story.
Apr 8, 1994 · Written and Directed by. Roman Polanski. The returns are in from Europe and the coasts, and the critics have found Roman Polanski's "Bitter Moon" an embarrassment: It is too melodramatic, too contrived, too overwrought, too overacted. Polanski has come unhinged. His portrait of a doomed marriage may be high porn but it is low art.
Bitter Moon. Legendary filmmaker Roman Polanski explores the sexy side of obsession and the wild side of romance in this outrageous look at the dark side of love. 671 IMDb 7.2 2 h 14 min 1994.
Mar 18, 1994 · Bitter Moon would be a camp classic if it weren't so dispiriting watching Roman Polanski cannibalize and then finally parody himself into narrative and artistic collapse. The film's big problem is that it's so totally devoid of the sexual energy it needs to traverse the gantlet of perversity through which Polanski sends it. [15 Apr 1994, p.94]
