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Dec 5, 2014 · Film Review: ‘Dying of the Light’. Nicolas Cage plays a determined CIA operative in a thriller written and directed (sort of) by Paul Schrader. By Justin Chang. Few filmmakers of late have ...
Academy Award® winner Nicolas Cage ignites a powder keg of action in this electrifying cloak-and-dagger thriller. Evan Lake (Cage), a veteran CIA agent, has been ordered to retire. But when his protégé (Anton Yelchin) uncovers evidence that Lake's nemesis, the terrorist Banir, has resurfaced, Lake goes rogue, embarking on a perilous, intercontinental mission to eliminate his sworn enemy.
From legendary director Paul Schrader (Raging Bull, Taxi Driver) and producer Nicolas Winding Refn (Drive, Only God Forgives) comes the refreshingly original thriller, Dying of the Light. Nicolas Cage (Tokarev, Frozen Ground) delivers a blistering, unforgettable performance as Evan Lake, a desk-bound Langley CIA agent forced into retirement by signs of early onset dementia. At the same time he discovers that his former tormentor, Jihadist Muhhamed Banir (Alexander Karim – Zero Dark Thirty ...
Rage, rage against the dying of the light. Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night. Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light.
Rage, rage against the dying of the light. Wild men who caught and sang the sun in flight, And learn, too late, they grieve it on its way, Do not go gentle into that good night. Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light.
A CIA operative diagnosed with dementia discovers that a terrorist long presumed dead has resurfaced, forcing him on one last mission. Watch trailers & learn more.
Rage, rage against the dying of the light. In each stanza of ‘Do not go gentle into that good night,’ Dylan Thomas (Bio | Poems) addresses a different aspect of the dying process before repeating one of the central refrains of the work. In the first stanza, the speaker expresses the desire to live as something fierce. Old age, they say, is ...
