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The ghost, having stolen Little’s body and having re-emerged into reality, has developed a taste for this powerful existence, and with that goal fights Godzilla. By defeating Godzilla and stealing his body he can become an invincible god of destruction. A complete translation of Shogo Tomiyama's Godzilla vs. Ghost Godzilla proposal, which was ...
Feb 19, 2024 · Godzilla vs. King Ghidorah (Japanese: ゴジラvsキングギドラ, Hepburn: Gojira tai Kingu Gidora) is a 1991 Japanese kaiju film written and directed by Kazuki Ōmori and produced by Shōgo Tomiyama. Distributed by Toho and produced under their subsidiary Toho Pictures, it is the 18th film in the Godzilla franchise, and is the third film in the franchise's Heisei period. The film features the fictional monster characters Godzilla and King Ghidorah, and stars Kōsuke Toyohara, Anna ...
- 103 min
- 3.5K
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Ishirō Honda[a](Japanese: 本多 猪四郎（いしろう）, Hepburn: Honda Ishirō, 7 May 1911 – 28 February 1993)was a Japanese filmmaker who directed 46 feature films in a career spanning five decades.[6]
Ishiro Honda was a Japanese film director known for directing and writing many films in Toho 's Showa era. He is most famous for directing eleven Godzilla films, including the Original 1954 film, as well as other kaiju films such as Rodan and The Mysterians . He was born on May 7, 1911, and ended up passing away on February 28, 1993, at the age ...
Ishirô Honda. Director: Godzilla. Influential Japanese film director born May 7th, 1911, often credited as being the father of Godzilla. His name is a combination of "I" (or Ino), meaning "boar", and "shirô," meaning fourth son in the family. Originally, the young Honda had aspirations of becoming an artist; however, as he entered into his teens, it was cinema that became his number 1 interest. He attended Nippon University studying art,...
Honda Ishirō (born May 7, 1911, Asahi (now part of Tsuruoka), Yamagata prefecture, Japan—died February 28, 1993, Tokyo) was a Japanese filmmaker who worked closely with Kurosawa Akira but was perhaps best known for his leading role in Japan’s kaijū eiga (“monster movie”) craze of the 1950s and ’60s, mostly through his direction of ...
