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Tapan Sinha: Screenplay by: Tapan Sinha: Story by: Rabindranath Tagore: Based on: Kabuliwala by Rabindranath Tagore: Produced by: Charuchitra: Starring: Chhabi Biswas Oindrila Tagore (Tinku) Asha Devi Radhamohan Bhattacharya Manju Dey Jahar Roy Kali Banerjee Jiben Bose: Cinematography: Anil Banerjee: Edited by: Subodh Ray: Music by: Pandit Ravi ...
Nov 21, 2013 · Tapan Sinha made films on a variety of subjects and film critics had difficulty in categorising his films. This lack of pigeon-holing actually puts him in a very niche bracket. His films appealed to masses and classes alike. That is a quality I have tried to infuse in my films as well. What astonishes me about Sinha is the sheer spectrum of ...
Sep 28, 2021 · Courtesy Anindya Sinha. For the central character of Rahmat, the Afghan trader on the streets of Calcutta, Tapan approached legendary Bengali actor Chhabi Biswas. Biswas had more than a hundred ...
The Cinema of Tapan Sinha: An Introduction is the perfect place to start for readers interested in understanding an exceptionally talented film-maker and his work. It traces the evolution of Tapan Sinha as a master craftsman and an individual with a unique worldview, and analyses in depth his films ranging from classic literary adaptations to contemporary social critiques.
- Amitava Nag
Atithi. (1965 film) Atithi (literally The Guest; also known by the alternative English title The Runaway) is a 1965 Bengali drama film based on a short story by Rabindranath Tagore, and directed by Tapan Sinha. [2] It tells a simple story about a teenage boy who prefers the life of a wanderer to the confines of a domestic life.
Jan 15, 2009 · Tapan Sinha (1924-2009) Tapan Sinha (84),the legendary filmmaker from Bengal,passed away on Thursday morning at a city hospital after a prolonged illness. He was suffering from bronchopneumonia,electrolyte imbalance and several other age-related problems. He is survived by his son Anindya Sinha. Sinha s death marks the end of an era in Bengali ...
Jan 18, 2021 · Tapan Sinha occupies a unique place in the annals of Bengali and Indian cinema. Active during a period when the troika of Satyajit Ray-Mrinal Sen-Ritwik Ghatak was setting international forums abuzz with their films, Tapan Sinha carved a distinctive niche for himself with films that seamlessly matched the arthouse with commercial success.
