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  1. Aug 14, 2012 · 101 Moods of A.R.Rahman. 101 Instrumental Pieces of A.R.Rahman. Includes mostly Background Score cues from all the films scored by A.R.Rahman, with some of his Jingles, Signature Tunes and pieces from non-film albums. 240 Minutes of non-stop A.R.Rahman's music. Enjoy!

  2. The most-awaited score of #Vikram drops right here! A rockstar #Anirudh musical for the #Ulaganayagan starrer , hit play and enjoy the #VikramOST , a #Lokesh...

    • 37 min
    • 11.4M
    • Sony Music South
  3. Apr 11, 2011 · In Conversation with A.R.Rahman. The questions that I would like to ask AR, if I ever get an opportunity to interview him. Composing a film score requires a thorough understanding of the medium of Cinema and the relationship of sound and music with the visuals. If background-music scoring is making music to moving images, then the process of ...

  4. en.wikipedia.org › wiki › Film_scoreFilm score - Wikipedia

    A film score being recorded by the composer (conducting at the podium, with his back to the camera) and a small ensemble. The film is playing on the screen to act as a reference. A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which ...

  5. 5) JailerThe most recent addition to Anirudh Ravichander's terrific background score is for Rajikanth's Jailer. May it be for Muthuvel Pandian or the villainous Varman, Anirudh's distinct scores enhance each character's impact on the audience. 6) Kolamaavu KokilaAnirudh's background score for Kolamaavu Kokila amped up the dark humour to a whole ...

  6. Feb 24, 2023 · One of the striking aspects of Devdas' s background score is the presence of voices and the silken chorus where usually musical instruments suffice. The voices gave a halo to the film, as though the drama was being watched from above, an aural equivalent of Gustav Klimt's gilded choir of angels watching over the embracing couple.

  7. Dec 7, 2022 · The background score is incidental and yes, the film cannot do without it but at the same time, it cannot be showcased so strongly that it will overtake it. For Kal Ho Na Ho, we had a particular ...