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    • Beirut, 1982: An Israeli Veteran’s Cartoon - The New York Times
      • Waltz With Bashir” will certainly enrich and complicate your understanding of its specific subject — the Lebanon War and, in particular, the massacre of Palestinians by Lebanese Phalangist fighters at the Sabra and Shatila refugee camps — but it may also change the way you think about how movies can confront history.
      www.nytimes.com/2008/12/26/movies/26bash.html
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  2. Waltz with Bashir. Waltz with Bashir (Hebrew: ואלס עם באשיר, translit. Vals Im Bashir) is a 2008 Israeli adult animated war docudrama film written, produced, and directed by Ari Folman. It depicts Folman's search for lost memories of his experience as a soldier during the 1982 Lebanon War and the Sabra and Shatila massacre.

  3. Waltz with Bashir (Israel 2008) concerns itself with time on a number of formal and thematic levels, from its investigation of history to the use of animation to allow the recreation of an otherwise visually inaccessible past. The animated documentary’s plot interweaves historical and personal time in the form of Israeli soldiers remembering ...

  4. Dec 25, 2008 · “Waltz With Bashiris not, and could not be, the definitive account of the Lebanon war or the Sabra and Shatila massacres. Instead it’s a collage and an inquiry.

    • Ari Folman
  5. May 9, 2022 · This article attempts to read Ari Folman and David Polonsky’s graphic war manifesto Waltz with Bashir (2008) as an example of postmodern historiography on the 1982 invasion of Beirut through the lens of a soldier’s (read Folman’s) traumatic memory.

  6. Nov 26, 2008 · Waltz with Bashir, which opened in the U.K. in mid-November and opens in the U.S. in December, has already found fans well beyond Israel’s borders: it earned a Palme d’Or nomination at Cannes...

  7. Inspiring Change: For some students, “Waltz with Bashir” becomes a catalyst for action. They are motivated to engage in discussions about the consequences of war, advocate for peace, or explore the intersection of art and social issues.

  8. Waltz with Bashir is a slow, gradual, painful resurrection of repressed memories and images. Slowly the fog clears and Ari’s ghosts of the past take a shape. Only the mass murder in Sabra and Shatila remains a blank space until the end of the film.