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      • Ranjith is in great form as a director and strikes a wonderful balance between feeding the appetite of Rajinikanth fans, as well as making a visually appealing and engaging film. With a top notch technical team and the superstar himself to take it through, Kaala is a treat for fans.
      timesofindia.indiatimes.com/entertainment/telugu/movie-reviews/kaala/movie-review/64489557.cms
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  2. Jun 7, 2018 · Pa Ranjith is surefooted in 'Kaala' and the joy of watching Rajinikanth the performer, minus the swish-swash music, is inexplicable. There is a reason why epics are timeless.

  3. Jun 7, 2018 · Kaala begins with an animated prologue (oh, how Ranjith loves his scene-setting prologues!) about the urban poor in Indian cities, and zooms in on Mumbai, where slums spread out like the shadows of skyscrapers. This sounds like a ripe premise for a masala movie, with the land grabber as the villain. After all, Tamil cinema has made villains of ...

  4. Jun 6, 2018 · Kaala Review: Ranjith owes to his excellent technical crew for helping him visualise and deliver this 51% Rajini-49% Ranjith movie. Kaala would be remembered as one of the best climaxes in a ...

    • Rajinikanth
    • PA. Ranjith
  5. Kaala movie review: The film works really well as one and as a Rajinikanth vehicle; it would be wise to leave the politician outside the theatres though. Kaala Cast:...

    • Rajinikanth, Nana Patekar
    • Pa Ranjith
  6. Jun 7, 2018 · The movie begins and ends with protests and combines Rajinikanth’s suspension-of-disbelief fights with what can actually bring about change. But it takes more than movies to make it in politics.

    • Vikram Venkateswaran
  7. Jun 6, 2018 · While Rajinikanth’s fans have enough reasons to watch 'Kaala', we give you five reasons why you should: The obvious reason – Rajinikanth. Be it his lovable Muthu or Kabali from his last release, Rajinikanth has always managed to move audience with the manner in which he essays his characters.

  8. Jun 7, 2018 · The story of Kaala reminds you of the rich-versus-poor story line, which was the staple commercial cinema formula of the ’70s and ’80s. Karikalan aka Kaala’s (Rajinikanth) family had migrated from Tirunelveli and is now settled in one of the biggest slums in the world – Dharavi in Mumbai.