Yahoo India Web Search

Search results

  1. Feb 22, 2018 · When asked by interviewers which was his personal favourite among all the films he had made in his 40-year-long career, Satyajit Ray always said, ‘Charulata’ (The Lonely Wife). For Ray, this was the film with the least number of defects, the one film which he would make in exactly the same way, if asked to again.

    • Bhaskar Chattopadhyay
  2. Sep 4, 2016 · The movie also garnered universal acclaim subject to its methodical acting. Madhabi Mukherjee, playing the role of Charulata, is at her vulnerable best. It would be justice done if it were to be said that the actress successfully blends herself with the character thereby imparting extreme realism to the film’s diegesis.

  3. May 15, 2019 · Charulata, based on Rabindranath Tagore’s The Broken Nest, is set in Calcutta in the late nineteenth century when Western education had helped develop the bhadralok class, a unique and uncertain...

    • Uzayr Agha
  4. en.wikipedia.org › wiki › CharulataCharulata - Wikipedia

    Charulata (Bengali: চারুলতা, romanized: Cārulatā, lit. 'The Lonely Wife') is a 1964 Indian drama film written and directed by Satyajit Ray. Based upon the novel Nastanirh by Rabindranath Tagore, it stars Soumitra Chatterjee, Madhabi Mukherjee and Sailen Mukherjee.

  5. Charulatha, a versatile Indian actress, has made significant contributions to the film industries in Kannada, Odia, Tamil, Telugu, and Malayalam. Hailing from Punjab but raised in Kerala, her journey into the world of entertainment began at an early age.

    • Actress
    • Punjab, India
    • Charulatha
    • 01/01
  6. Sep 30, 2016 · Charming CHARULATHA Added More Brightness To Kannada Industry. Life Insperia September 30, 2016. 1,619 3 minutes read. Starting her journey at up north on Punjab, this actress with a charming smile laid a strong foundation for her on screen career in God’s own country, Kerala.

  7. People also ask

  8. Apr 22, 2004 · However, in Charulata there is evidence of a cinema born out of the exquisite love affair between intimacy and spectacle – and not spectacle in the “Indiana Jones” sense of the word, but an Ophulsian cinematic spectacle.