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German film director, screenwriter, and opera director
- Werner Schroeter (7 April 1945 – 12 April 2010) was a German film director, screenwriter, and opera director known for his stylistic excess. Schroeter was cited by Rainer Werner Fassbinder as an influence both on his own work and on German cinema at large.
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Werner Schroeter (7 April 1945 – 12 April 2010) was a German film director, screenwriter, and opera director known for his stylistic excess. [1] [2] Schroeter was cited by Rainer Werner Fassbinder as an influence both on his own work and on German cinema at large. [3]
Werner Schroeter. Director: The Kingdom of Naples. The key person of the New German Cinema of the '70s. His works, mostly shot in 16mm, combine an intense interest and knowledge of German history and personal dramatic and emotional investigations.
- January 1, 1
- Georgenthal, Thuringia, Germany
- January 1, 1
- Kassel, Hesse, Germany
Werner Schroeter, a German film and stage director whose flair for lush visuals and heightened emotions introduced an operatic sensibility to the New German Cinema movement of the 1970s,...
Werner Schroeter (* 7. April 1945 in Georgenthal; † 12. April 2010 in Kassel) war ein deutscher Film-, Opern- und Theater- Regisseur. Inhaltsverzeichnis. 1 Leben. 1.1 Ausdrucksformen im Film. 1.2 Tätigkeit als Filmdozent. 2 Werk. 2.1 Filmografie. 2.2 Fotografische Arbeiten. 2.3 Autobiografie. 3 Literatur. 4 Auszeichnungen. 5 Filme über Schroeter.
Among the most important post-war German filmmakers, Werner Schroeter remained during his life a conspicuously little-seen and rarely discussed figure in the US and Britain, despite amassing a body of over 40 films, directing some 60 theatre and opera productions, garnering innumerable awards and earning the esteem of many of Europe’s ...
Director. 6 April 1945 to 11 April 2010. An experimental filmmaker whose work challenged audiences and critics, Schroeter came to prominence in his native Germany with The Death of Maria Malibran (1971).
Werner Schroeter. Director: The Kingdom of Naples. The key person of the New German Cinema of the '70s. His works, mostly shot in 16mm, combine an intense interest and knowledge of German history and personal dramatic and emotional investigations.
