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    • August 1995

      Image courtesy of photofeatures.com

      photofeatures.com

      • Jethro Tull frontman Ian Anderson subsequently asked Noyce to join him on his Divinities world tour later that year. Noyce joined Jethro Tull in August 1995 following the departure of Dave Pegg.
      en.wikipedia.org/wiki/Jonathan_Noyce
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  2. Noyce is known for being a member of British rock group Jethro Tull for 12 years, [1] [2] and also for his collaborations with guitarist Gary Moore, film composer Daniel Pemberton, the band Archive and French artist Mylène Farmer.

  3. Jonathan Noyce was born in Sutton Coldfield, in the Midlands of England, on the 15th July, 1971, three months after the release of Jethro Tull’s “Aqualung” album. His father, Peter, was Assistant Organist and Choirmaster at Lichfield Cathedral, and his mother, Jane, a town planner.

  4. John O’Hara joined Jethro Tull as their keyboardist and accordion player in the early 2000s. He has been involved in the band’s studio recordings and live performances, contributing to the rich textural layers of their music.

  5. Jethro Tull are a British rock band formed in Blackpool, Lancashire in 1967. Initially playing blues rock and jazz fusion, the band soon incorporated elements of English folk music, hard rock and classical music, forging a signature progressive rock sound. [1]

  6. Mar 15, 2021 · British multi-instrumentalist Jonathan Noyce made his first career breakthrough in 1993, playing studio bass for the U.K. pop group Take That. He followed that up in a big way two years later, joining Jethro Tull as bassist, a position he held until 2007.

  7. The lineup of Jethro Tull remained stable until 2007, when Noyce and Giddings left the group and were replaced by Anderson's solo bandmates David Goodier and John O'Hara, respectively. [21] Anderson began focusing on releasing and touring under his own name in 2011, when Jethro Tull was essentially disbanded. [ 22 ]

  8. Jun 25, 2024 · How did you end up joining Jethro Tull in 1995? “I was working on a record for EMI, who had struck a deal with the Royal Academy of Music to use their symphony orchestra. I was part of the rhythm section, and Jethro Tull’s Dee Palmer was on the recording too.