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Ten parent scales
- In Hindustani (North Indian) classical music, the most common way to classify a raga is under ten parent scales (called thaat). A thaat is no more than a seven-note scale including one each of the seven notes sa re ga ma pa dha ni (the Indian equivalents of do re mi fa so la ti).
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Jun 10, 2017 · 10 Thaats in Hindustani Classical Music: Most Important. What are Thaats? In simple words, Thaats are a way to classify various ragas into groups based on which Swaras are used in a specific Raag.
- ~Important Ragas You Should Know~
- Raag Yaman
- Raag Bhimpalasi
- Raag Bageshree
- Raag Jhinjhoti
- Raag Jaunpuri
- Inadequacies of The Thaat-Based Classification System
- Raag Bihag
- Raag Bhupali
We began by exploring a few light ragas on the previous page. Let's move on to some bigger ragas now. This page gives you an introduction to raga parent scales through some of the best-loved ragas in Indian classical music – Yaman, Bhimpalasi, Bageshree, Jhinjhoti, Jaunpuri, Bihag, and Bhupali. In Hindustani (North Indian) classical music, the most...
Yaman, also called Kalyan (meaning "blessed" in Sanskrit), belongs to the Kalyan scale because it uses the sharp variant of Ma (♯4). This ancient raga is very important in both Carnatic (South Indian) and Hindustani music. Performed from sunset to late evening, Yaman is full of grace and beauty, evoking a mood of devotion and dedication. It is a ra...
Bhimpalasi is the first big raga that comes to mind when you think of the Kafi scale, which uses the flat variants of ga and ni (♭3 & ♭7). An afternoon raga, sung from late afternoon to sunset, it is poignant and passionate, filled with yearning.
Another big raga classified under the Kafi scale, Bageshree is so beautiful as to be named after the goddess of music (Bageshree = Saraswati) herself. The raga portrays moods of romance and longing and enjoys enduring popularity in both Carnatic and Hindustani classical music. It is typically performed late at night.
Jhinjhoti belongs to the Khamaj scale because it uses the flat variant of ni (♭7). Imbued with the soul of rural India, charming Raag Jhinjhoti lends itself well to medium and fast paces and is typically performed in the late evening.
Raag Jaunpuri is classified under the Asavari scale because it uses the flat variants of ga, dha, and ni (♭3, ♭6, ♭7). This raga from the Jaunpur region of Uttar Pradesh has melancholy undertones and a distinctly feminine quality to it, which requires a light touch. It is sung in the late morning hours, up to noon or so.
Not all ragas are easy to classify under a parent scale. Raag Bihag, for instance, uses all the natural notes (Bilawal scale), but it additionally includes the sharp Ma (♯4), which belongs to the Kalyan scale. Now what do we do? Well, if you know Raag Bihag, you will know that natural ma (4) is more fundamental to the raga, while sharp Ma (♯4) is u...
Traditionally performed late at night, Bihag is another big raga, spanning both light and serious genres of classical music, but it does have a light and feminine quality that makes it well suited to more popular genres like ghazalsand film music as well. Ragas that use less than seven notes are also difficult to classify under a thaat. Take Raag B...
The pentatonic scale of Raag Bhupali has great appeal not just in India, but universally. In Hindustani music, Bhupali is counted among the big ragas, being quite vast and suited to various moods and tempos. However, it is at its most beautiful in the lower pitch ranges and at slower tempos. Bhupali is an evening raga, typically performed from arou...
Oct 5, 2020 · Definition of Thaat: A Thaat is a “Parent scale” in Hindustani classical music used to categorize multiple raag under a common group. In Hindustani classical music (North Indian Music), Thaat is a concept that helps us to group Raags/Ragas of similar Swars and emotions.
Sep 1, 2019 · Thaat is a theoretical concept that helps us group ragas of similar s ur and nature. In its basic form Raga is a sequence of sur or swaras of Hindustani classical music. It provides a loose framework for weaving an emotional experience for the audience.
Mar 23, 2021 · In Hindustani (North Indian) classical music system, a thaat represents a Parent Scale that uses at least 7 swars/notes (out of the 12 swars) to make a Raaga or Raag.
It was derived from Vyankatmakhi's book "Chaturdadiprakashika" and a selective 10 Thaats from a total of 72 thaats, from the Karnatak Music system. Pt. Bhatkhande knew that these 10 thaats would be insufficient to completely and appropriately classify North Indian Classical Music.
Thaat is a theoretical concept that helps us group ragas of similar sur and nature. In its basic form Raga is a sequence of sur or swaras of Hindustani classical music. It provides a loose framework for weaving an emotional experience for the audience.
