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- Unfinished paintings are enticing cracks in the facade of art history, lures along the path to a deeper understanding of artistic processes and impulses. For all the paintings that artists complete, countless others are left incomplete for any number of reasons — poverty or war, a change of plan or vision, the illness or death of the artist.
www.nytimes.com/2014/01/10/arts/design/the-fascination-of-the-unfinished.html
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What is so riveting about unfinished art?
What happens if a painting is unfinished?
Why did Renaissance artists leave unfinished works a 'non-finito'?
Why are unfinished works of art more admired than finished works?
What is so riveting about unfinished art is that is so close to the human hand and the thought processes that informed it. The fact that artists get bored, lose the spark of inspiration, and simply are subjected to history and the vagaries of fate, renders them relatable and vulnerable, ultimately making unfinished art an oddly intimate matter.
Aug 11, 2024 · Keith Haring’s ‘Unfinished Painting’ is a poignant and powerful piece of art. That’s actually one of the final pieces that Haring produced, and you can clearly see that the painting looks like it still needs some work done.
Apr 19, 2016 · An unfinished picture is almost like an X-ray, which allows you to see beyond the surface of the painting – Kelly Baum. Broadly speaking, the exhibition argues that there are two sorts of...
Aug 22, 2019 · The unfinished works by Renaissance Masters – Donatello, Leonardo and Michelangelo – set a new precedent for artists in the sixteenth century and beyond. It became fashionable to leave works incomplete, so much so, that it became an aesthetic term 'non-finito' (literally meaning 'not finished').
Jan 9, 2014 · Unfinished paintings are enticing cracks in the facade of art history, lures along the path to a deeper understanding of artistic processes and impulses.
- Roberta Smith
The work reveals all stages of his artistic process in individual steps: the delicate underdrawing that defines the face and neck; the first layers of paint that still allow the hatching to shine through in the hand, raised in blessing, and the globe; and the fully developed hair, drapery, and deep green shade of the background.
Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art.
