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      • Massive Attack used guest vocalists, interspersed with their own sprechgesang stylings, on top of what became regarded as an essentially British creative sampling production; a trademark sound that fused hip hop, soul, reggae and other eclectic references, both musical and lyrical.
      en.wikipedia.org/wiki/Massive_Attack
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  2. Characterized by immersive sonic landscapes, often devoid of conventional choruses, Massive Attack's sound thrives on atmospheric tones shaped through elements like distorted guitars, looped basslines, and orchestral interludes.

    • Their Music Is Almost Impossible to Categorise Or Describe
    • Not only That, But Each Album Is Significantly Different from The Last
    • They’Ve Drawn Brilliant Work from A Dizzying Array of Collaborators
    • They’Re Not from London, Or Any Other Huge City
    • Protection Inspired No Protection...
    • They Make Babies Kick in The Womb

    Massive Attack don’t sound like anyone else. Yes, they form, or formed, part of a Bristol-based movement loosely known as trip-hop, but how exactly do you describe their sound? A mixture of rap, funk, jazz, dub reggae? Nah, that’s way too prosaic. Incredibly dense and murky, almost brutally heavy, but at the same time dreamy and feather-light, and ...

    Trace a sonic progression from Blue Lines through Protection, Mezzanine and 100th Window up to the most recent, Heligoland – and you’ll find that there really is no progression. It’s all so fluid, mutable, ever-surprising. Pray for Rain from Heligoland:

    Shara Nelson, Tracey Thorn, Horace Andy, Guy Garvey, Hope Sandoval, Damon Albarn, Elizabeth Fraser, Sinead O’Connor, Martina Topley-Bird and others. And it doesn’t feel forced or “ooh look at all our celebrity friends”. These collaborations serve the music, always. Here's Special Cases with Sinead O'Connor:

    Perhaps that’s why they’re so good, and so unusual; you get room to breathe, artistically, outside the major conurbations. (And no wonder so much of the London and Manchester-centred Britpop was so lumpen, conformist and unimaginative.) See also: Dorset’s one-of-a-kind PJ Harvey, or the mighty Suede, who may sing about London but mostly hail from s...

    ...wherein the Mad Professor remixed the album, or rather deconstructed and reassembled it, with fantastic results.

    Swear to God – tiny embryonic music fans just love those floaty vocals and deep, deeeeep heartbeat basslines. The beats on Angel even sounded like a pulse, muffled but clearly reverberating through the amniotic sea. (Narcotic, amniotic – yeah. Maybe that’s the best description.)

  3. Massive Attack used guest vocalists, interspersed with their own sprechgesang stylings, on top of what became regarded as an essentially British creative sampling production; a trademark sound that fused hip hop, soul, reggae and other eclectic references, both musical and lyrical. [13]

  4. Massive Attack are an English electronic group formed in 1988 in Bristol, consisting of Robert “3D” Del Naja, Grant “Daddy G” Marshall and formerly Andy “Mushroom” Vowles.

  5. Aug 7, 2024 · When they first emerged as part of Bristol sound system collective The Wild Bunch, the members of Massive Attack claimed to be at the vanguard of a new genre, telling The Face that they were purveyors.

  6. Feb 26, 2023 · Following the underwhelming fourth album, 100th Window, in 2003, fans were surprised to hear Massive Attack back on form in 2010, when they shared their fifth and latest album, Heligoland. Today, we’re sifting through Massive Attack’s illustrious five-album-run to rank their ten greatest tracks.

  7. Explore Massive Attack's discography including top tracks, albums, and reviews. Learn all about Massive Attack on AllMusic.