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      • "Charulata" revolves around the life of Charu, a young woman living in 19th century Bengal. Married to a wealthy but indifferent husband, Bhupati, she finds herself longing for companionship and intellectual stimulation. When her husband's cousin, Amal, comes to stay with them, Charu finds herself drawn to his youthful energy and intellect.
      www.imdb.com/title/tt0057935/plotsummary/
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  2. en.wikipedia.org › wiki › CharulataCharulata - Wikipedia

    Charulata (Bengali: চারুলতা, romanized: Cārulatā, lit. 'The Lonely Wife') is a 1964 Indian drama film written and directed by Satyajit Ray. Based upon the novel Nastanirh by Rabindranath Tagore, it stars Soumitra Chatterjee, Madhabi Mukherjee and Sailen Mukherjee.

  3. Sep 4, 2016 · Charulata has been dumped to a lonely and unproductive life by her neo-liberal husband, who publishes a ‘serious’ political newspaper. The movie chronicles the upper class Bengali lifestyle of the time and in ways more than one mocks it.

  4. Charulata. Satyajit Ray’s exquisite story of a woman’s artistic and romantic yearning takes place in late nineteenth-century, pre-independence India, in the gracious home of a liberal-minded, workaholic newspaper editor and his lonely wife, Charulata (Madhabi Mukherjee).

    • Charulata
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  5. Aug 20, 2013 · Charulata (1964), often rated the director’s finest film—and the one that, when pressed, he would name as his own personal favorite: “It’s the one with the fewest flaws”—is adapted from Tagore’s 1901 novella Nastanirh (The Broken Nest).

  6. Set in British India in the 19th century, the film revolves around Charulata, the beautiful wife of a learned Calcutta intellectual. She sits at home alone while her wealthy husband Bhupati runs his English language newspaper.

  7. Charulata: Directed by Satyajit Ray. With Soumitra Chatterjee, Madhavi Mukherjee, Shailen Mukherjee, Shyamal Ghoshal. The lonely wife of a newspaper editor falls in love with her visiting cousin-in-law, who shares her love for literature.

  8. Apr 29, 2004 · Ray uses his setting, meticulously designed by Bansi Chandragupta, to underscore one woman’s listless, privileged imprisonment. The beautiful Charu (Madhabi Mukherjee) idles her life away in the gilded cage of an opulent Victorian mansion, circa 1880, Calcutta.