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  1. Waltz with Bashir (Hebrew: ואלס עם באשיר, translit. Vals Im Bashir) is a 2008 Israeli adult animated war docudrama film written, produced, and directed by Ari Folman. It depicts Folman's search for lost memories of his experience as a soldier during the 1982 Lebanon War and the Sabra and Shatila massacre.

  2. Jan 21, 2009 · Waltz with Bashir” is a devastating animated film that tries to reconstruct how and why thousands of innocent civilians were massacred because those with the power to stop them took no action. Why they did not act is hard to say. Did they not see? Not realize? Not draw fateful conclusions?

  3. Waltz with Bashir: Directed by Ari Folman. With Ari Folman, Ori Sivan, Ronny Dayag, Shmuel Frenkel. An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

    • Ari Folman
    • 2 min
    • Is Waltz with Bashir a good movie?1
    • Is Waltz with Bashir a good movie?2
    • Is Waltz with Bashir a good movie?3
    • Is Waltz with Bashir a good movie?4
  4. I had heard nothing but good things about Waltz With Bashir, and after finally seeing it, I found it every bit as good as I'd heard. Waltz With Bashir is stunning visually, the mix of live-action(used in the meetings footage) with flash animation and 3D has a very stirring and somewhat seductive look to it.

  5. Dec 25, 2008 · “Waltz With Bashir” is rated R (Under 17 requires accompanying parent or adult guardian). It has graphic violence, sex and brief nudity. WALTZ WITH BASHIR. Opens on Friday in Manhattan.

    • Ari Folman
  6. Dec 25, 2008 · Waltz with Bashir Reviews - Metacritic. Summary One night at a bar, an old friend tells director Ari about a recurring nightmare in which he is chased by 26 vicious dogs. Every night, the same number of beasts. The two men conclude that there’s a connection to their Israeli Army mission in the first Lebanon War of the early eighties.

  7. Waltz with Bashir is a slow, gradual, painful resurrection of repressed memories and images. Slowly the fog clears and Ari’s ghosts of the past take a shape. Only the mass murder in Sabra and Shatila remains a blank space until the end of the film.