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- The film is a loose adaptation of the 1785 novel (first published in 1904) The 120 Days of Sodom by Marquis de Sade, updating the story's setting to the World War II era. It was Pasolini's final film, released three weeks after his murder.
en.wikipedia.org/wiki/Salò,_or_the_120_Days_of_Sodom
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In Pasolini's story, Paul is a fascist Vichy France collaborator who becomes illuminated while traveling to Franco's Spain and joins the antifascist French resistance, an event which serves as the modern analogue for the Pauline conversion. [25]
- Pornography Is About Titillation; Salo Is Anything But
- Performances Are Subdued
- And Then There’S That One Scene…
- Tragedy Would Strike After The Release of Salo
Watching the film, I could not help but feel like a fly on the wall. The cinematography of this film is gorgeous, with impressively staged shots, effective use of lighting, and a sense of scope and space that makes the viewer believe that they are not a part of what is happening on screen—but an observer. This is what makes the film truly terrifyin...
Most of the characters in this film might as well be nameless with either a passing mention of who they are and where they fit into the narrative. This was done to make the statement that these are not living beings but numbers and quotas for dehumanization. Much like the fascist society that surrounded Italy at the time, the film’s victims are jus...
To push further the idea of absolute conformity to dictatorial madness and the libertines being able to make anyone do anything so long as they will it—the most infamous scene of Salò is inevitably brought up. It was not the violence of Salò that made a colleague of mine queasy, but when the film went into the segment known as “The Circle of Shit,”...
Pier Paolo Pasoliniis the quintessential creative who died, in the literal sense, for his art. In the aftermath of Salo, death was not far behind him. Pasolini was run over several times by his own car, and the autopsy stating that he was partially burned with gasoline after his death. To this day, his murder has been unsolved. And while there are ...
- Dallas Marshall
Apr 23, 2015 · This film shows the last days of Pasolini’s life that he spent in Stockholm. He was invited to visit the Institute of Culture and give an interview in the Swedish Film Institute. Together with his boyfriend Ninetto they stayed in Diplomat Hotel.
The film is a loose adaptation of the 1785 novel (first published in 1904) The 120 Days of Sodom by Marquis de Sade, updating the story's setting to the World War II era. It was Pasolini's final film, released three weeks after his murder.
