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The courtly nature of the love affair can be fleshed out by the letters and ricordanze of contemporaries, as in the case of Lucrezia Donati, the love of Lorenzo de’ Medici. Lucrezia, along with Simonetta Vespucci and others form the subject of Charles Dempsey’s The Portrayal of Love: Botticelli’s “Primavera” .
Lucrezia was the daughter of Manno Donati and Caterina Bardi, a Florentine dame [9] who belonged to an extinct family tree, being the last descendant. From 1461 was the mistress of Lorenzo il Magnifico, [9] a platonic love, [10] until Lorenzo later married the Italian noble Clarice Orsini. [11]
Some women, such as Lucrezia Donati, Simonetta Vespucci, Ginevra dei Benci could flirt with romantic love outside marriage without serious peril to their status; for others, however, sexual involvement brought marginality and life-long exclusion from social normalcy.
- Catherine Lawless
My subject is courtly love, that strange doctrine of chivalric courtship that fixed the vocabulary and defined the experience of lovers in our culture from the latter Middle Ages until almost our own day.
Jan 28, 2019 · (Image: NETFLIX) His marriage to Clarice was for political gain and despite having 10 children, it is believed they were never in love. Historians to this day continue to debate on the...
- Molli Mitchell
Celebrated with the trappings of medieval courtly romance, the affairs were a source of intense public interest and enthusiastic approval, particularly in Florence, where the Medici set a powerful example. Lorenzo de’ Medici declared Lucrezia Donati as his platonic love, and his younger brother Giuliano devoted himself to Simonetta Vespucci ...
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Apr 24, 2024 · That context is the period of the wedding celebrations (nozze), just after Easter 1465, of Niccolò di Piero di Neri Ardinghelli (ca. 1432–96) to Lucrezia Donati (ca. 1447–1501), younger daughter of Manno di Manno di Messer Manno Donati and his second wife, Caterina di Benedetto di Lipaccio de’ Bardi, Footnote 21 and the writer's keen ...
