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- Contemporary and retrospective critics have praised the film for its surrealistic qualities, special effects, musical score and cinematography, but note its narrative inconsistencies; horror filmmakers and surrealists have interpreted these inconsistencies as intentionally disorienting, supplementing the atmospheric tone and direction.
en.wikipedia.org/wiki/The_Beyond_(1981_film)
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Jun 3, 2017 · City of the Living Dead works because it at least embraces its strangeness. But it is The Beyond in which Fulci truly masters surrealism and crafts a weird and gory masterpiece. The Beyond centers on a Louisiana hotel that sits on top of a gateway to Hell, which is one of seven such gateways across the globe.
So, with all this said, is THE BEYOND a good movie or a terrible one? Well, that depends. There have been noted critics who have wished this movie swam in its own quicklime and disappeared from the face of the Earth.
The Beyond is an incoherent, chaotic combination of Italian terror and monster movie grave robbing that is almost saved by its bleak, atmospheric ending. It is a wretched gore fest sprinkled with wonderfully evocative touches.
Oct 14, 2022 · The movie runs at a brisk 90-minutes pace with visuals drenched in atmosphere and gore, accompanied by a unique jazz-rock score rivalling John Carpenter’s level of work in terms of musical identity and recognizability.
- Lucio Fulci
Oct 9, 2020 · Director Lucio Fulci's 1981 horror film The Beyond is one of the greatest Italian horror movies ever, and its ending imagery is downright haunting.
Jan 30, 2015 · The Beyond is a 1981 Italian horror film directed by Lucio Fulci. The second film in Fulci’s unofficial Gates of Hell trilogy, The Beyond has gained a cult following over the decades.
The Beyond: Directed by Lucio Fulci. With Catriona MacColl, David Warbeck, Cinzia Monreale, Antoine Saint-John. A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell.
