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      • Adapted for the screen by Cesare Zavattini from the 1946 novel by Luigi Bartolini, and starring Lamberto Maggiorani as the desperate father and Enzo Staiola as his plucky young son, Bicycle Thieves received an Academy Honorary Award (most outstanding foreign language film) in 1950, and in 1952 was deemed the greatest film of all time by Sight & Sound magazine's poll of filmmakers and critics; fifty years later another poll organized by the same magazine ranked it sixth among the greatest-ever...
      en.wikipedia.org/wiki/Bicycle_Thieves
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  2. Aug 13, 2020 · It’s “Bicycle Thieves” (“Ladri di Biciclette” in Italian) not only because more than one bike is stolen, but also because the cruelty of modern life threatens to make robbers of us all.

  3. Bicycle Thieves has continued to gain very high praise from contemporary critics, with the review aggregator website Rotten Tomatoes reporting 99% of 70 reviews as of April 2022 as positive, with an average rating of 9.20/10.

  4. Feb 12, 2007 · Where Citizen Kane heralded the age of the auteur and a cinema of passionate individual vision, Bicycle Thieves renounced “egoism” for collective concern, envisioning a cinema of impassioned social conscience.

  5. Nov 24, 2023 · 89 Minutes. Directed by one of the most prominent voices in the Italian neorealism movement, Vittorio De Sica, it's a movie that's now 75 years old, yet has lost none of its power as a shattering...

    • Jeremy Urquhart
    • Senior Author
    • Vittorio De Sica
  6. In “Bicycle Thieves,” Antonio embarks on a desperate search for his stolen bicycle, which is essential for his job. This film delves into the post-war Italian society, shedding light on the impact of poverty and the struggles individuals face.

  7. Jul 26, 2023 · The 100 Best Movies of the Past 10 Decades. Bicycle Thieves (1948) Lamberto Maggiorani, and Enzo Staiola in Bicycle Thieves. Everett Collection. July 26, 2023 7:32 AM EDT.

  8. Mar 19, 1999 · Given an honorary Oscar in 1949, routinely voted one of the greatest films of all time, revered as one of the foundation stones of Italian neorealism, it is a simple, powerful film about a man who needs a job.