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A thaat (IAST: thāṭ) is a "parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term Melakartha raga of Carnatic music.
- ~Important Ragas You Should Know~
- Raag Yaman
- Raag Bhimpalasi
- Raag Bageshree
- Raag Jhinjhoti
- Raag Jaunpuri
- Inadequacies of The Thaat-Based Classification System
- Raag Bihag
- Raag Bhupali
We began by exploring a few light ragas on the previous page. Let's move on to some bigger ragas now. This page gives you an introduction to raga parent scales through some of the best-loved ragas in Indian classical music – Yaman, Bhimpalasi, Bageshree, Jhinjhoti, Jaunpuri, Bihag, and Bhupali. In Hindustani (North Indian) classical music, the most...
Yaman, also called Kalyan (meaning "blessed" in Sanskrit), belongs to the Kalyan scale because it uses the sharp variant of Ma (♯4). This ancient raga is very important in both Carnatic (South Indian) and Hindustani music. Performed from sunset to late evening, Yaman is full of grace and beauty, evoking a mood of devotion and dedication. It is a ra...
Bhimpalasi is the first big raga that comes to mind when you think of the Kafi scale, which uses the flat variants of ga and ni (♭3 & ♭7). An afternoon raga, sung from late afternoon to sunset, it is poignant and passionate, filled with yearning.
Another big raga classified under the Kafi scale, Bageshree is so beautiful as to be named after the goddess of music (Bageshree = Saraswati) herself. The raga portrays moods of romance and longing and enjoys enduring popularity in both Carnatic and Hindustani classical music. It is typically performed late at night.
Jhinjhoti belongs to the Khamaj scale because it uses the flat variant of ni (♭7). Imbued with the soul of rural India, charming Raag Jhinjhoti lends itself well to medium and fast paces and is typically performed in the late evening.
Raag Jaunpuri is classified under the Asavari scale because it uses the flat variants of ga, dha, and ni (♭3, ♭6, ♭7). This raga from the Jaunpur region of Uttar Pradesh has melancholy undertones and a distinctly feminine quality to it, which requires a light touch. It is sung in the late morning hours, up to noon or so.
Not all ragas are easy to classify under a parent scale. Raag Bihag, for instance, uses all the natural notes (Bilawal scale), but it additionally includes the sharp Ma (♯4), which belongs to the Kalyan scale. Now what do we do? Well, if you know Raag Bihag, you will know that natural ma (4) is more fundamental to the raga, while sharp Ma (♯4) is u...
Traditionally performed late at night, Bihag is another big raga, spanning both light and serious genres of classical music, but it does have a light and feminine quality that makes it well suited to more popular genres like ghazalsand film music as well. Ragas that use less than seven notes are also difficult to classify under a thaat. Take Raag B...
The pentatonic scale of Raag Bhupali has great appeal not just in India, but universally. In Hindustani music, Bhupali is counted among the big ragas, being quite vast and suited to various moods and tempos. However, it is at its most beautiful in the lower pitch ranges and at slower tempos. Bhupali is an evening raga, typically performed from arou...
Jun 10, 2017 · 10 Thaats in Hindustani Classical Music: Most Important. What are Thaats? In simple words, Thaats are a way to classify various ragas into groups based on which Swaras are used in a specific Raag.
Oct 5, 2020 · Ten Thaats in Hindustani Music. In simple words, Thaat is a basic structure of seven Swars / Notes used to form Raag or Raga. In this blog, we will understand why beginners must have a clear understanding of Thaat. Further, we will understand the rules followed in the formation of Thaat and Why there are ten Thaats in Hindustani Music.
We can now sort our 32 thaat into three approximate categories: Bhatkhande’s chosen set (10), other ‘raga-filled’ thaat (13), and our ‘unfilled’ scales (9). While these bounds are somewhat arbitrary (particularly between ‘filled’ and ‘unfilled’), we can still observe some broad geometric trends:
Jul 27, 2015 · A thaat is a "mode", a type of scale, in Hindustani music. Thaats always have 7 pitches and are a basis for the organizing & classifying raags of Hindustani classical music. Thaat system was invented by Vishnu Narayan Bhatkhande (1860-1936).
It was derived from Vyankatmakhi's book "Chaturdadiprakashika" and a selective 10 Thaats from a total of 72 thaats, from the Karnatak Music system. Pt. Bhatkhande knew that these 10 thaats would be insufficient to completely and appropriately classify North Indian Classical Music.
