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Four lakh raags
- There is no exact count/known number of ragas which are there in Indian classical music. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music. Many of them are repetitious but have different names."
en.wikipedia.org/wiki/List_of_ragas_in_Hindustani_classical_music
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This is a list of various Ragas in Hindustani classical music. There is no exact count/known number of ragas which are there in Indian classical music. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music. Many ...
- ~Important Ragas You Should Know~
- Raag Yaman
- Raag Bhimpalasi
- Raag Bageshree
- Raag Jhinjhoti
- Raag Jaunpuri
- Inadequacies of The Thaat-Based Classification System
- Raag Bihag
- Raag Bhupali
We began by exploring a few light ragas on the previous page. Let's move on to some bigger ragas now. This page gives you an introduction to raga parent scales through some of the best-loved ragas in Indian classical music – Yaman, Bhimpalasi, Bageshree, Jhinjhoti, Jaunpuri, Bihag, and Bhupali. In Hindustani (North Indian) classical music, the most...
Yaman, also called Kalyan (meaning "blessed" in Sanskrit), belongs to the Kalyan scale because it uses the sharp variant of Ma (♯4). This ancient raga is very important in both Carnatic (South Indian) and Hindustani music. Performed from sunset to late evening, Yaman is full of grace and beauty, evoking a mood of devotion and dedication. It is a ra...
Bhimpalasi is the first big raga that comes to mind when you think of the Kafi scale, which uses the flat variants of ga and ni (♭3 & ♭7). An afternoon raga, sung from late afternoon to sunset, it is poignant and passionate, filled with yearning.
Another big raga classified under the Kafi scale, Bageshree is so beautiful as to be named after the goddess of music (Bageshree = Saraswati) herself. The raga portrays moods of romance and longing and enjoys enduring popularity in both Carnatic and Hindustani classical music. It is typically performed late at night.
Jhinjhoti belongs to the Khamaj scale because it uses the flat variant of ni (♭7). Imbued with the soul of rural India, charming Raag Jhinjhoti lends itself well to medium and fast paces and is typically performed in the late evening.
Raag Jaunpuri is classified under the Asavari scale because it uses the flat variants of ga, dha, and ni (♭3, ♭6, ♭7). This raga from the Jaunpur region of Uttar Pradesh has melancholy undertones and a distinctly feminine quality to it, which requires a light touch. It is sung in the late morning hours, up to noon or so.
Not all ragas are easy to classify under a parent scale. Raag Bihag, for instance, uses all the natural notes (Bilawal scale), but it additionally includes the sharp Ma (♯4), which belongs to the Kalyan scale. Now what do we do? Well, if you know Raag Bihag, you will know that natural ma (4) is more fundamental to the raga, while sharp Ma (♯4) is u...
Traditionally performed late at night, Bihag is another big raga, spanning both light and serious genres of classical music, but it does have a light and feminine quality that makes it well suited to more popular genres like ghazalsand film music as well. Ragas that use less than seven notes are also difficult to classify under a thaat. Take Raag B...
The pentatonic scale of Raag Bhupali has great appeal not just in India, but universally. In Hindustani music, Bhupali is counted among the big ragas, being quite vast and suited to various moods and tempos. However, it is at its most beautiful in the lower pitch ranges and at slower tempos. Bhupali is an evening raga, typically performed from arou...
India’s classical music system was known to have 4,840 Raags at some point in time. This art form is challenging to describe in a textual format; it is essentially an oral tradition. This music was best passed on down through the generations by Gurus to their disciples.
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There are two main classical music traditions, Hindustani (North Indian) and Carnatic (South Indian), and the concept of rāga is shared by both. [5] Rāga are also found in Sikh traditions such as in Guru Granth Sahib , the primary scripture of Sikhism . [ 9 ]
There are around 500 raags that are sung today. Some are called anwat (uncommon) some are aprachalit (unpublished). However there are around 150 raags that are sung very commonly. This Raagabase intends to satiate a classical music fan with providing as much information of as many raags as possible.
Indian classical music is built on improvisation, a holistic raga (a set of notes performed in a melodic way) system and intricate mathematical flow making it unique. At its very core are the cultural and spiritual traditions of India, giving it a depth and significance, which transcends many other genres of music.
Dec 8, 2023 · There are hundreds of ragas in Indian classical music, each with its own unique set of notes, patterns, and emotions. These ragas are classified into different types based on their time of day, season, and mood.
