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      • As with all of Basquiat’s works, this relatively simple composition is layered with symbolism and references to culture, history, and society. Against a flat, brown background, Basquiat has painted a dark-skinned male figure, who sits on top of a skeleton on all fours.
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    • Who Was Jean Michel Basquiat?
    • Basquiat’s Rapid Rise to Fame
    • The Style & Themes of Jean Michel Basquiat

    Jean Michel Basquiat (1960-1988) was an African-American artist who reinvigorated the New York art scene of the 1980s with his neo-expressionist paintings and drawings. Born in Brooklyn, New York, his passion for art blossomed at a young age and was encouraged by his mother, who enrolled him as a junior member at the Brooklyn Museum of Art at the a...

    Basquiat’s rise to fame can be traced to 1976 when he began to graffiti buildings with his friend Al Diaz under the pseudonym “SAMO”. The pair sprayed enigmatic tags onto the walls of the Lower East Side, mixing street art with music culture. From here, he went on to make a name for himself as an artist in his own right, exhibiting in “The Times Sq...

    Basquiat did not have traditional artistic training and he stated: “I never went to art school. I failed the art courses that I did take in school. I just looked at a lot of things. And that’s how I learned about art, by looking at it”. Consequently, most of the themes in Basquiat’s work come from his contemporary culture. Regarding the inspiration...

  2. Feb 10, 2024 · Basquiat's use of vibrant colors and energetic brushstrokes brings a sense of vitality and liveliness to the artwork, juxtaposing the inherent darkness and weightiness associated with death. This contrast serves as a visual metaphor, illustrating the duality of life and death, highlighting how they coexist and influence each other.

  3. Feb 10, 2024 · Riding with Death by Jean-Michel Basquiat is a powerful and thought-provoking painting filled with vibrant colors, chaotic brushstrokes, and intricate symbolism. It depicts a skeletal figure riding a horse while clutching a sword, surrounded by various enigmatic and symbolic elements.

  4. 1 day ago · Indeed, they both use the darkness and lack of detail to allow the next layer of content to dominate the focus, and Basquiat does the same too within Riding with Death. In the latter's case, he pictures a frenetic brown figure sat astride a skeleton, both loosely formed in his typical Neo-Expressionist style.

  5. On a plain, brown background, BASQUIAT paints a dark-skinned man sitting atop a skeleton on all 4s. The skeleton's head is turned toward the viewer, and its crossed out eyes appear to stare right through us.