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    • Angola’s fight for freedom

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      • Sambizanga is a passionate dramatisation of a pivotal moment in Angola’s fight for freedom – and a riveting neorealist testimony to the nation’s anticolonialist struggle.
      www.ica.art/films/sambizanga
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  2. Sambizanga is a 1972 film directed by Sarah Maldoror and written by Maldoror, Mário Pinto de Andrade, and Maurice Pons, based on the 1961 novella The Real Life of Domingos Xavier by José Luandino Vieira.

  3. Sep 28, 2022 · The most significant expression of Maldorors artistic and political commitments is Sambizanga (1972), a cinematic work of immense historical and cultural importance that stages a reckoning with the interlocking systems of colonialism, capitalism, and patriarchy.

  4. Based on a true story, Sambizanga follows a young woman as she makes her way from the outskirts of Luanda toward the city’s center looking for her husband after his arrest by the Portuguese authorities—an incident that will ultimately help to ignite a national uprising.

    • Domingos Xavier
  5. This is a tragic, personal and political film – set in Angola (shot in Congo), and narrating the struggles and realities of the African Liberation Front. Dominguez, a soldier, a loving husband and a hard-working truck driver is arrested by the Portuguese secret police.

    • (805)
    • Drama
    • Sarah Maldoror
    • 1973-04-26
  6. www.screenslate.com › articles › sambizangaSambizanga - Screen Slate

    Today BAMcinématek runs a 16mm print of Sarah Maldoror's essential Sambizanga (1972), a landmark of militant Third World liberation cinema, and likely the first feature film directed by a woman in Sub-Saharan Africa.

  7. Based on a true story, SAMBIZANGA follows a young woman as she makes her way from the outskirts of Luanda toward the city’s center looking for her husband after his arrest by the Portuguese authorities—an incident that will ultimately help to ignite a national uprising.

  8. A searing, indelible portrait of anti-colonial struggle in 1970s Africa, Sambizanga is a forceful, stirring evocation of the Angolan population’s plight before the revolution and their intensifying political consciousness during it.