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A dramatic monologue that changes speakers, locations, and times throughout, "The Waste Land" draws on a dizzying array of literary, musical, historical, and popular cultural allusions in order to present the terror, futility, and alienation of modern life in the wake of World War I.
Who are all these people? Where is this waste land they inhabit? What is this chaos of impressions we are privy to? Wherefore such madness?
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It is difficult to tie one meaning to ‘The Waste Land‘. Ultimately, the poem itself is about culture: the celebration of culture, the death of culture, and the misery of being learned in a world that has largely forgotten its roots. Eliot wrote it as a eulogyto the culture that he considered to be dead; at a time when dancing, music, jazz, and othe...
Part One: Stanza One
Immediately, the poem starts with the recurring imagery of death: ‘April is the cruelest month, breeding / Lilacs out of the dead land, mixing / Memory and desire, stirring / Dull roots with spring rain.’ Note the cadence of every –ing ending to the sentence, giving it a breathless, uneven sort of reading: when one reads it, there is a quick-slow paceto it that invites the reader to linger over the words. The use of the word ‘winter’ provides an oxymoronic idea: the idea that cold and death c...
Stanza Two
Here is another of Eliot’s allusions, ‘son of man/ you cannot say or guess’, which is directly lifted from The Call of Ezekiel in the ‘Book of Ezekiel’. The religious allusion could be considered a response to the vast technological advancements of the time, where science was taking great leaps; however, the spiritual and cultural sectors of the world were desolate. ‘A heap of broken images’ shows the fragmented nature of the world and the snapshots of what the world has become to further pin...
Stanza Three
Cleanth Brooks writes: “The fortune-telling of “The Burial of the Dead” will illustrate the general method very satisfactorily. On the surface of the poem the poet reproduces the patter of the charlatan, Madame Sosostris, and there is the surface irony: the contrast between the original use of the Tarot cards and the use made by Madame Sosostris. But each of the details (justified realistically in the palaver of the fortune-teller) assumes a new meaning in the general context of the poem. The...
From the Modernism Lab at Yale University: “Eliot’s Waste Land is I think the justification of the ‘movement,’ of our modern experiment, since 1900,” wrote Ezra Pound shortly after the poem was published in 1922. T.S. Eliot’s poem describes a mood of deep disillusionment stemming both from the collective experience of the first world war and from E...
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From a general summary to chapter summaries to explanations of famous quotes, the SparkNotes The Waste Land Study Guide has everything you need to ace quizzes, tests, and essays.
The Waste Land is one of the major poems of the twentieth century. Published in 1922, T. S. Eliot’s landmark work of modernism may ‘only’ be just over 430 lines or around 20 pages in length, but its scope and vision are epic in terms of historical and geographical range, spanning from modern-day London to the deserts of the Old Testament.
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry.
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Jul 4, 2020 · Virtually overnight The Waste Land became a focal point and rallying cry for the culture wars of its time and brought Eliot a celebrity and iconic status that he would never live down and, within a short time, would be adamantly refusing to live up to. BACKGROUND CONSIDERATIONS.
