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  2. The latest 2022 Certified Fresh films: Prey, Vengeance, Bodies Bodies Bodies, Emily the Criminal, My Donkey, My Lover & I, Resurrection, Something in the Dirt, Thirteen Lives.

    • Was 2022 a good year for film?1
    • Was 2022 a good year for film?2
    • Was 2022 a good year for film?3
    • Was 2022 a good year for film?4
    • Review Score: 8
    • Review Score: 9
    • Review Score: 10

    From our review: Anything’s Possible is a fun, frothy teen rom com that features a trans character front and center. Director Billy Porter brings his boundless energy and exuberance to every frame, which makes the romance between Kelsa and Khal so beguiling and inspiring to watch. By giving audiences an opportunity to celebrate their young love, and empathize with the concerns and worries associated around them, it moves us one step closer to wiping away the stigmas that exist. – Tara Bennett

    From our review: Avatar: The Way of Water is a thoughtful, sumptuous return to Pandora, one which fleshes out both the mythology established in the first film and the Sully family’s place therein. It may not be the best sequel James Cameron has ever made (which is a very high bar), but it’s easily the clearest improvement on the film that preceded it. The oceans of Pandora see lightning striking in the same place twice, expanding the visual language the franchise has to work with in beautiful...

    From our review: The Bad Guys is a slick, hilarious heist movie with buckets of laughs and a lot of heart. It’s Ocean’s Eleven meets Little Red Riding Hood with Sam Rockwell’s Wolf going on a charm offensive to stay out of jail… and he might just win you over in the process. Richard Ayoade has a blast as the sanctimonious Professor Marmalade and the entire voice cast brings their A-game with some stellar gags that will get you roaring with laughter. The Bad Guys is a fun, family-friendly cape...

    From our review: The Adam Project is a thoughtful, witty mash-up of all the movies from my childhood. It’s Back to the Future meets The Last Starfighter with a slew of wonderful performances from a cast that clearly loves the concept as much as I do. Ryan Reynolds is on top form as Adam, while Walker Scobell matches him punch for punch with a great debut performance. The Adam Project is a love letter to the family sci-fi flicks of the ‘70s and ‘80s, packed full of Amblin-like charm. – Ryan Le...

    From our review: A tale of love and death told through an android’s vivid memories, After Yang is a gorgeous, heart-wrenching sci-fi mystery about an aloof couple (Colin Farrell and Jodie-Turner Smith) discovering the secret life and hidden emotions of their artificial son (Justin H. Min). With melancholy performances and an eye for natural beauty, Kogonada’s second feature film draws from masters of the past to create a glowing and moving future. – Siddhant Adlakha

    From our review: All Quiet on the Western Front is just as bleak as you might imagine, with an unflinching examination of the horrors of war. It’s a brutal, exhausting, and raw reminder of the evil humanity is capable of inflicting upon each other, and it couldn’t be more timely. Felix Kammerer stuns as Paul Bäumer with stand-out performances from Albrecht Schuch and Edin Hasanovic. The attention to detail is phenomenal, with director Edward Berger retelling this classic story in a new and in...

    From our review: The Batman is a gripping, gorgeous, and, at times, genuinely scary psychological crime thriller that gives Bruce Wayne the grounded detective story he deserves. Robert Pattinson is great as a very broken Batman, but it’s Zoe Kravitz and Paul Dano who steal the show, with a movingly layered Selina Kyle/Catwoman and a terrifyingly unhinged Riddler. Writer/director Matt Reeves managed to make a Batman movie that’s entirely different from the others in the live-action canon, yet...

    From our review: Everything Everywhere All at Once is a complex film that encompasses a variety of subjects, but it does justice to each of them with a carefully written script, marvelous performances, and a healthy dose of bizarre humor to counter its bleak story. Michelle Yeoh in particular gives a powerhouse performance in a story that puts a fresh, welcome spin on the idea of the multiverse. – Rafael Motamayor This story was originally published on February 11. It was most recently update...

    • Jason Anderson. Programmer (Toronto International Film Festival), Canada. Aftersun. EO. The Fabelmans. Compartment No. 6. Flux Gourmet. Kimi. Nope. Viking. I Have Electric Dreams.
    • Michael Atkinson. Critic, USA. Vortex. Crimes of the Future. Hit the Road. Aftersun. Playground. Brighton 4th. No Bears. TÁR. Apollo 10½: A Space Age Childhood. Intergalde.
    • Colette Balmain. Critic, writer and academic, UK. Prey. Everything Everywhere All at Once. Nope. Master. Decision to Leave. Framing Agnes. Mountain Woman. The Lump in my Heart.
    • Erika Balsom. Critic and scholar, UK. Mutzenbacher. The United States of America. Foragers. Saint Omer. Unrest (Unrueh) Being in a Place: A Portrait of Margaret Tait.
    • Everything Everywhere All at Once. Delightfully bonkers on the surface, this inventive extravaganza from the directing team called Daniels (Daniel Kwan and Daniel Scheinert) has a deep layer of family feeling and a well-earned emotional pull at the end.
    • Top Gun: Maverick. A belated sequel to 1986's Top Gun seemed like a bad idea. But when Pete "Maverick" Mitchell (Tom Cruise) returned to the US Navy's elite fighter-pilot school, the resulting blockbuster wasn't just a thrilling showcase for some spectacular aerobatic displays, but a touching, bittersweet drama about getting older.
    • Turning Red. This joyous Pixar coming-of-age cartoon introduces a 13-year-old Chinese-Canadian (voiced by Rosalie Chiang) who transforms into a giant fluffy red panda whenever she gets stressed.
    • Happening. The past is a template for the present in Audrey Diwan's eloquent, heart-wrenching story, based on a memoir by Annie Ernaux, winner of this year's Nobel Prize in Literature.
    • The Fabelmans. Steven Spielberg has been making movies for more than 50 years, and there are autobiographical touches in many of them. But The Fabelmans is his most personal film to date, one that reckons with the bittersweet truth of how families endure even in the midst of stress and crisis.
    • Aftersun. As kids, we have no idea how our feelings about our parents will take shape when we ourselves are grown up. That’s the territory Scottish writer-director Charlotte Wells explores in her stunning debut.
    • Armageddon Time. In this semiautobiographical drama from James Gray, a smart but smart-alecky Queens sixth grader, Banks Repeta’s Paul, befriends one of the few Black kids in his class, Jaylin Webb’s Johnny, even as he remains clueless about the specific realities of his friend’s life.
    • Elvis. Baz Luhrmann’s Elvis is less a straightforward biopic of Elvis Presley than a sequined jumpsuit in movie form: impractical but flattering, and built to accommodate giant leaps of imagination.
  3. Best Movies 2022. It was a long delay for takeoff but Top Gun: Maverick is why we love the blockbuster experience: Exhilirating action with big emotional stakes and an on-your-feet sunset ending.

  4. Dec 6, 2022 · Best Movies of 2022. Amid endless agonizing over the State of Cinema, the actual releases proved a bounty for film lovers, whether fans of the art house or the multiplex. Share full article....