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Aravindan started his professional life as a cartoonist for the journal Mathrubhumi. He established himself as a cartoonist in the early 1960s with his cartoon series Cheriya Manushyarum Valiya Lokavum [8] which dealt with the social encounters of its central characters, Ramu and Guruji, mingled with political and social satire. [4]
Apr 2, 2019 · Aravindan (January 21, 1935–March 15, 1991) was an iconoclast filmmaker who was deeply rooted in Indian culture, the Malayalam sub milieu of Indian arts and aesthetics of film, painting, music and theatre.
Aug 21, 2018 · Be it the radical, unemployed young protagonist of his first film, or the protagonist of his last, where he tries to bridge the divide separating two families in two distant lands, Aravindan remained a humanist, and an artist who loved creating on caricatures of contemporary life.
Aravindan started his professional life as a cartoonist for the journal Mathrubhumi. He established himself as a cartoonist in the early 1960s with his cartoon series Cheriya Manushyarum Valiya Lokavum which dealt with the social encounters of its central characters, Ramu and Guruji, mingled with political and social satire.
Mar 15, 1991 · Aravindan started his career as a cartoonist for Mathrubhumi. His cartoon series Cheriya Manushyarum Valiya Lokavum during early 1960’s was quite popular. Later he moved to theater and it paved way to movies in middle 1970’s.
Aug 21, 2018 · He is a senior media professional and film society activist. Malayalam Cinema Kanchana Sita Chidambaram Bharath Gopi Thampu Vasthuhara Stills from G. Aravindan's momentous life as a cartoonist and film maker with his associates, fellow artists and contemporary intellectuals.
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Govindan Aravindan was one of India’s greatest filmmakers and a leading light during the golden age of Malayalam cinema in the 1970s and 1980s. He was a man of many talents — painter, cartoonist, musician, theatre director and filmmaker. The autodidact's films were marked by an entirely original approach to cinema.
