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      • Nana Patekar, who has been quite candid in recent interviews, revealed that Rishi Kapoor allegedly refused to give more than one take on the sets. According to Nana, Kapoor would lose his cool and abuse whenever he was asked to do so. The Welcome star revealed that Rishi even told Nana they’re not like him, the theatre guys.
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  2. Jun 26, 2024 · Nana Patekar recalls the challenging experience of working with Rishi Kapoor on the sets of 'Hum Dono' and how Kapoor would refuse to do more than one take, leading to tense moments during filming.

  3. Jun 25, 2024 · Actor Nana Patekar has recalled how difficult it was to get his co-star Rishi Kapoor to do more than one take for the action thriller, as he would often lose his cool while filming. Starring Nana Patekar and Rishi Kapoor, the film was directed by actor Shafi Inamdar.

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  4. Nana revealed that Rishi would often lose his cool and was reluctant to give more than one take for scenes. The film, directed by Shafi Inamdar, starred both Nana Patekar and...

  5. Jun 25, 2024 · Nana Patekar recalled how challenging it was to convince co-star Rishi Kapoor to retake scenes while shooting for the 1995 film Hum Dono because he would frequently lose his temper. In an interview with The Lallantop, Nana Patekar remembered how Rishi Kapoor behaved on set and shared details about what all happened while shooting.

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  6. Jun 25, 2024 · While both actors have a reputation for being short-tempered, Nana Patekar recalled that Rishi Kapoor would abuse on set and refused to give more than one take. Hum Dono was an action thriller, directed by Shafi Inamdar and starring Rishi Kapoor, Nana Patekar, and Pooja Bhatt in the lead.

  7. Jun 26, 2024 · Nana Patekar, in a recent interview with Lallantop, revealed how difficult it was to get his co-star, the late Rishi Kapoor, to do more than one take. Nana Patekar also commented on how Rishi Kapoor often lost his cool while filming.

  8. Jun 26, 2024 · Recently during an interview, the Prahaar actor-director said that Rishi Kapoor never wanted to give a second take even though the first take did not turn out well. On the other hand, being from a theatre background, Nana always insisted that more takes should be given until both the director and the actors involved in the scene are satisfied.