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- Though Johnson is frequently hailed in jazz histories for his innovative prowess as a trombonist, he also made a name for himself as a composer of extended pieces that fit into the emerging so-called Third Stream movement that championed a mixing of jazz and classical music.
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Music critics have consistently defined James P. Johnson as a great early jazz pianist, originator of the 1920s Harlem “stride” style, and an important blues and jazz composer. In addition, however, Johnson was an innovator in classical music, composing symphonic music that incorporated American, and especially African American, traditions.
Apr 24, 2024 · He began to compose ambitious works starting with 1956's "Poem for Brass" and including "El Camino Real" and a feature for Dizzy Gillespie, "Perceptions"; his "Lament" became a standard. Johnson worked with Miles Davis, during part of 1961-62, led some small groups of his own, and by the late '60s was kept busy writing television and film scores.
Feb 4, 2001 · The group was instrumental in demonstrating the power and possibilities of the trombone in modern jazz. In the late 1950s, he began to gain recognition as a composer. Two of his extended works, "El Camino Real" and "Sketch for Trombone and Orchestra," were commissioned by the Monterey Jazz Festival.
Several of Johnson's compositions, including "Wee Dot", "Lament", and "Enigma" have become jazz standards. From the mid-1950s onwards, Johnson was a perennial polling favorite in jazz circles, even winning "Trombonist of the Year" in DownBeat magazine during years he was not active.
Aug 14, 2024 · Trombonist J.J. Johnson in 1946 performing his composition “Jay Jay,” with Cecil Payne on alto sax, Bud Powell on piano, Leonard Gaskin on bass, and Max Roach on drums.
May 23, 2018 · In 1959, the Monterey Jazz Festival commissioned Johnson to compose two pieces: “ El Camino Real ” and “ Sketch for Trombone and Orchestra. ” Subsequently, the emerging composer penned his most challenging work for Gillespie, who was so impressed upon hearing “ Poem for Brass ” that he commissioned Johnson to compose an entire album ...
Johnson turned his attention towards composition, and he became a prime force in the nascent “Third Stream” movement, which sought to meld jazz with European concert traditions. Johnson brought his own experiences as an arranger, and his love works such as Paul Hindemith’s Kleine Kammermusik and Mathis der Maler, to the movement. His ...
