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This page gives you an introduction to raga parent scales through some of the best-loved ragas in Indian classical music – Yaman, Bhimpalasi, Bageshree, Jhinjhoti, Jaunpuri, Bihag, and Bhupali. In Hindustani (North Indian) classical music, the most common way to classify a raga is under ten parent scales (called thaat ).
- Compositions
Raga Compositions (bandish)In Hindustani (North Indian)...
- What is a Raga
The idea of scales is actually quite fundamental to all...
- The Notes
The third column gives the Indian solfa syllables for the...
- Taal (Rhythm)
Rhythm (taal) in Indian Classical Music. Let's talk about...
- An Overview
The main thing Indian classical music does is explore the...
- Notation
The Bhatkhande Notation System. There have been many systems...
- Difficult Ragas
Imagine the music in the mind of this man of terrifying...
- Info for Students
The raga database provides information on close to 500...
- Compositions
' colouring ' or ' tingeing ' or ' dyeing ') is a melodic framework for improvisation in Indian classical music akin to a melodic mode. Rāga is central to classical Indian music and a unique feature of the tradition: no equivalent concept exists in Western classical music.
- Raag Asaravi. Raag Asaravi is a parent raga, consisting of all the seven musicals notes but arranged in a different pattern. This raga is usually supposed to be practiced in the late morning hours.
- Raag Bhairav. Raag Bhairav is a raga that is equally and evenly paced through its singing patterns. Such ragas are suggested to be practiced in the early morning hours - usually, it’s the first raga your begin your practice with.
- Raag Bhairavi. Raag Bhairavi is again, another assortment of the raga that is equally and evenly paced through its singing patterns. Usually termed as the feminine alternate of the Raag Bhairav, it is the opposite of its counterpart.
- Raag Bilawal. Raag Bilawal is a parent raga that has its musical notes arranged randomly. This raga is typically supposed to be practiced in late-night hours and is the raag that is popular in the Indian genre of music - ghazals.
Raagas. Although the total number of raags in Hindustani classical music was as big as 300, several of them have been lost over the centuries. About 100 raags are known and performed these days. The following list contains most of them.
RaagaThaatAsavariBhairavMorningKafiThis is a list of various Ragas in Hindustani classical music. There is no exact count/known number of ragas which are there in Indian classical music. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music. Many ...
Indian classical music is built on improvisation, a holistic raga (a set of notes performed in a melodic way) system and intricate mathematical flow making it unique. At its very core are the cultural and spiritual traditions of India, giving it a depth and significance, which transcends many other genres of music.
The time theory in Indian Classical Music suggests that Ragas are associated with time. They are to be sung at specific times in the day to create a specific mood or experience. Presenting...
