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Father of Coco Soren David I. Soren is a director, writer, and actor known for Captain Underpants (2017), Turbo (2013), and Merry Madagascar (2009). A DreamWorks veteran of twenty years, Soren has worked as a story artist on "The Road to El Dorado," "Chicken Run" and "Shrek."
- Miguel. Miguel is Coco’s protagonist, eager to prove himself as a musician but scared that doing so will alienate his family due to their ban on music. Miguel is the son of Luisa and Enrique, who are expecting what will eventually become his sister Socorro.
- Mamá Imelda. The Rivera matriarch Imelda set up the shoemaking business Miguel’s family still keeps afloat as a means to provide for her daughter Coco after her husband, Héctor, left to pursue music.
- Mamá Coco. The movie namesake, Coco, is Miguel’s great-grandmother, Elena’s mother, and Enrique’s grandmother. Her relationship with her father was precious to her, and Coco’s ending showed how she kept all the letters he wrote to her and his torn picture, despite her whole family willingly trying to forget him to spare Imelda’s suffering.
- Papà Héctor. Miguel spends a good chunk of Coco believing Ernesto de la Cruz to be his great-great-grandfather. This is because Ernesto's guitar was in the torn family picture, but Coco’s ending twist eventually highlights how Héctor really was Imelda’s husband, Coco’s father, and Miguel’s great-great-grandfather.
His daughter, Coco Soren, is also an actress. Associated With. He voiced Jimbo in the 2017 animated comedy film The Boss Baby starring Alec Baldwin.
- m
- April 19, 1973
- Toronto, Canada
Coco is a 2017 film by Pixar Animation Studios and Walt Disney Pictures, inspired by the Mexican holiday Day of the Dead. It follows a 12-year-old boy who travels to the Land of the Dead to find his musical idol and break a family curse.
Coco Soren is an actress and the daughter of director David Soren. She has appeared in Licorice Pizza (2021) and Captain Underpants: The First Epic Movie (2017).
In Santa Cecilia, Mexico, Imelda Rivera was the wife of a musician who left her and their 3-year-old daughter Coco, to pursue a career in music. She banned music in the family and opened a shoe-making family business.
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His mother, Ane Sørensdatter Lund Kierkegaard (1768–1834), had served as a maid in the household before marrying his father, Michael Pedersen Kierkegaard (1756–1838). She was an unassuming figure: quiet, and not formally educated. They had seven children.
