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  1. Manex Visual Effects (MVFX) was a motion picture special visual effects company located in Alameda, California. Though a small company active only for a short period of time, it provided visual effects for a number of high-profile movies and the company received international recognition including two Best Visual Effects Oscars and one Academy ...

  2. Manex Visual Effects (MVFX) was a motion picture special visual effects company located in Alameda, California. Though a small company active only for a short period of time, it provided visual effects for a number of high-profile movies and the company received international recognition including two Best Visual Effects Oscars and one Academy ...

  3. May 27, 2020 · Over the course of several projects, Manex Visual Effects (aka MVFX) became renowned for innovations in image-based rendering. These techniques helped craft the virtual backgrounds in The Matrix’s bullet-time sequences, and were seen again in Michael Jordan To The Max and Mission: Impossible II (the John Woo film is celebrating its 20th ...

  4. Well...I'm told it's a long, controversial story. Effectively Manex was disbanded and many people moved to Esc (literally across the road - I think). And then Esc did some great projects but didn't get Superman Returns (they were expecting to). And then they had to wind up, too.

  5. Dec 23, 2021 · In 1999, The Matrix kicked Hollywood’s door down in a torrent of leather kit, tiny shades, and philosophy-riddled sci-fi bullet storms. Here was a sci-fi action movie with two key ingredients in...

  6. Jul 15, 2021 · So, in this latest episode of VFX Artifacts, Gallego runs down the process, starting all the way before The Matrix to an earlier ‘Frozen Moment’ request, right through to tests and the actual install of the rig in Sydney, and the subsequent use of the rig on Michael Jordan to the Max.

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  8. Created by John Gaeta and Manex Visual Effects, the Matrix effect achieved the graphic punch of comic-book frames without the use of 3D computer work or editing. The effect’s inception, however, predates cinema itself.