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  1. Nov 21, 2018 · ‘ Intimate Strangers ’ opens in GV cinemas 22 November 2018. Watch the official trailer and find out more about the film here:

  2. Intimate Strangers was released on 31 October 2018, alongside Hollywood films Bohemian Rhapsody, Halloween and The House with a Clock in Its Walls. On 6 November 2018, the film was reported to have been sold to 44 territories, with release date in Australia and New Zealand on 8 November, the United States on 9 November, and Singapore on 22 ...

  3. Nov 21, 2018 · Intimate Strangers’, a comedy-drama remake of the 2016 Italian film ‘Perfect Strangers’, attempts to answer this through a seemingly casual game at the dining table. Married couple Seok Ho (Cho Jin Woong) and Ye Jin (Kim Ji Soo) hosts a housewarming dinner, which is attended by their lifelong friends, two other married couples and one divorcee.

  4. Sep 23, 2020 · Glimpsing into the confidential areas of the lives of seven long-time friends, Lee Gae-yu 's dramatic comedy remake of the 2016 Italian release “Perfect Strangers” explores the off-limit portions of ordinary people's persona, and subtly ponders upon the status we in society give our smartphones.

  5. Tae-soo (Yoo Hae-jin) is a lawyer and neglects his wife Soo-hyeon (Yum Jung-ah), who therefore joins a poetry club. In addition, she has a problem with her mother-in-law living with them. Then there is Joon-mo (Lee Seo-jin), the group's womanizer, who is now married to veterinarian Se-kyeong (Song Ha-yoon).

  6. Mar 25, 2019 · Date Released: 2018; Based on Italian 2016 film, Perfect Strangers. Origin: South Korea; Based on. Cast: Yoo Hae-jin as Tae-soo (Lawyer) Cho Jin-woong as Seok-ho (Plastic Surgeon) Lee Seo-jin as Joon-mo (Restauranteur) Yoon Kyung-ho as Young-bae (newly divorced ex-gym teacher) Yum Jung-ah as Soo-hyun (Tae-soo’s wife – Housewife/blogger)

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  8. Nov 10, 2020 · We live three lives – a public one, a private one and a secret one. That’s the thesis put up on screen during the final few moments of Intimate Strangers, Lee Jae-kyoo’s remake – one of many since the original’s release – of Paolo Genovese’s 2016 black comedy. It posits that we’re never really who we say we are, that we mask our ...