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      • Yoshio Taniguchi (谷口 吉生, Taniguchi Yoshio; born 1937) is a Japanese architect best known for his redesign of the Museum of Modern Art in New York City, which was reopened November 20, 2004. Critics have emphasized Taniguchi's fusion of traditional Japanese and Modernist aesthetics.
      en.wikipedia.org/wiki/Yoshio_Taniguchi
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  2. architecture-history.org › architects › architectsYOSHIO TANIGUCHI

    Most of Taniguchi’s buildings are public works, and many of these are art museums, including the Higashiyama Kai’i Gallery for the Nagano Prefectural Shinano Art Museum (1990) and his competition-winning proposal for the Museum of Modern Art (1997) in New York.

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  3. Yoshio Taniguchi (谷口 吉生, Taniguchi Yoshio; born 1937) is a Japanese architect best known for his redesign of the Museum of Modern Art in New York City, which was reopened November 20, 2004. Critics have emphasized Taniguchi's fusion of traditional Japanese and Modernist aesthetics.

  4. Yoshio Taniguchi (born October 17, 1937, Tokyo, Japan) is a Japanese architect best known as the designer of the early 21st-century expansion of the Museum of Modern Art (MoMA) in New York City.

  5. Nov 11, 2023 · Explore the serene and elegant world of Yoshio Taniguchi, a master of minimalist architecture. This overview delves into the works of Taniguchi, whose designs are celebrated for their contemplative spaces and harmonious integration of light, material, and form.

  6. Feb 15, 2012 · Yoshio Taniguchi (谷口吉生, Taniguchi Yoshio; born 1937) is a Japanese architect best known for his redesign of the Museum of Modern Art in New York which was reopened November 20, 2004. Taniguchi is the son of architect Yoshiro Taniguchi (1904-1979).

  7. Sep 24, 2013 · Taniguchi was hired in 1997 to expand the Museum’s space and synthesize its disparate elements. His elegant, minimal solution presents a contemporary face for the MoMA while adhering to its ...

  8. Nov 20, 2004 · Architect Yoshio Taniguchi (Japanese, b. 1937) came to international acclaim in 1997 when he won both his first invited competition and his first international commission for the expansion of The Museum of Modern Art.