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  1. Elena Ferrante (Italian pronunciation: [ˈɛːlena ferˈrante]) is a pseudonymous Italian novelist. Ferrante's books, originally published in Italian , have been translated into many languages. Her four-book series of Neapolitan Novels are her most widely known works.

  2. Elena Ferrante (Napoli, 1943 [1]) è lo pseudonimo di una scrittrice italiana, inserita nel 2016 dal settimanale statunitense Time nella lista delle 100 persone più influenti al mondo [2]. È apprezzata anche fuori dall' Italia , in particolare negli Stati Uniti , [ 3 ] dove quattro suoi romanzi hanno trovato il favore del pubblico sotto la traduzione di Ann Goldstein , grazie alla casa editrice Europa Editions .

  3. Elena Ferrante masterfully introduces us to the complex and dynamic duo of Elena and Lila, whose lives become inextricably intertwined. This first installment of the Neapolitan Novels is a coming-of-age story that delves deep into themes of class, gender, and the enduring power of human connection.

  4. Aug 6, 2024 · The Italian series is based on Elena Ferrante‘s wildly popular, globally best-selling Neapolitan Novels, beginning with “My Brilliant Friend” and concluding with “The Story of the Lost ...

  5. Elena Ferrante, 2012 (U.S. ed., 2015) Europa Editions 336 pp. ISBN-13: 9781609450786 Summary A modern masterpiece from one of Italy’s most acclaimed authors, My Brilliant Friend is a rich, intense, and generous-hearted story about two friends, Elena and Lila. Ferrante’s inimitable style lends itself perfectly to a meticulous portrait of ...

  6. It’s here! The fourth and final season of My Brilliant Friend now has a teaser and a premiere date (September 9). Now’s the perfect time to dive into her bestselling Neapolitan Novels, and also discover the rich world of Elena Ferrante beyond the series.

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  8. This characterises both the specific environment of Naples and women’s lives and relationships in Ferrante’s work. In chapter three, in dialogue with the work of Cressida Heyes (2020), themes of interruption and disruption are addressed as significant for reading female subjectivities in Storia di chi fugge e di chi resta (2013), Il filo di mezzogiorno (1969), and L’Università di Rebibbia (1983).