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  1. Anya Gallaccio (born 1963) is a British artist, who creates site-specific, minimalist installations and often works with organic matter (including chocolate, sugar, flowers and ice). Her use of organic materials results in natural processes of transformation and decay, meaning that Gallaccio is unable to predict the result of her installations. [2]

  2. Anya Gallaccio creates site-specific, minimalist installations with organic matter such as chocolate, sugar, flowers and ice. Her work challenges the traditional notion of art object and relies on natural processes of transformation and decay.

  3. Anya Gallaccio was born in Paisley, Scotland. She studied at Kingston Polytechnic, London, 1984 - 1985, and Goldsmiths College, University of London, 1985 - 1988. Early in her career she participated in two seminal London group exhibitions, Freeze in 1988 and the East Country Yard Show in 1990. Her first solo exhibition was at Karsten Schubert ...

  4. In 2003 she was nominated for the Turner Prize of the Tate Britain, London. She is a Professor in the Department of Visual Arts at the University of California, San Diego. Anya Gallaccio (1963, Paisley, United Kingdom) often incorporates organic material in her work such as fruit, vegetables, plants, ice, and sand.

  5. Lehmann Maupin showcases the works of Anya Gallaccio, a contemporary artist who explores the ephemeral and the sublime through natural materials and processes. See her installations, sculptures, and paintings that use flowers, fruits, glass, bronze, and more.

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  6. www.artforum.com › features › anya-gallaccio-227900ANYA GALLACCIO - artforum.com

    ANYA GALLACCIO. ARE WE REALLY TO BELIEVE that simply by letting things be as they are, Anya Gallaccio creates evocative works of transience? It could be argued that Gallaccio’s “scatter” piece of one ton of Jaffa oranges is indebted to the art of the ’70s; or that her covering of the entire floor of a London art gallery with lead ...

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  8. Anya Gallaccio, intensities and surfaces, photographed in April 1996. Intensities and surfaces melted not only because of the ambient temperature but also because hidden at its core was a block of rock salt. The salt helped corrode the structure in unpredictable ways, creating dramatic changes and shapes reminiscent of weathered rocks.