2007
Search results
- VIDEO: KIRA SNYDER, FILM AND TV WRITER/PRODUCER. Kira Snyder is an Emmy-winning writer and producer, whose television credits include The 100 (CW), The Handmaid’s Tale (Hulu), Alphas (SyFy), and Eureka (SyFy).
- VIDEO: BEN CORY JONES, TELEVISION WRITER/PRODUCER. Ben Cory Jones is currently the Showrunner/Executive Producer of the upcoming BET comedy series, Boomerang, loosely based on the iconic 90s film starring Eddie Murphy and Halle Berry.
- VIDEO: CATHRYN HUMPHRIS, TV SCREENWRITER. Cathryn Humphris is a producer and WGA Award-Winning writer known for her work on Mad Men, Elementary, NCIS: New Orleans, Under the Dome, and Supernatural.
- VIDEO: WENDY CALHOUN, TV WRITER/SHOWRUNNER/PRODUCER. Wendy Calhoun is a WGA and Peabody Award-nominated writer, and currently a consulting producer for Station 19, the Grey’s Anatomy firefighter spin-off produced by Shondaland and ABC.
- Write! I know it sounds daft but you’d be amazed at how many people tell me they’d love to be a TV writer, but when I ask them what they’ve written they say ‘not much’.
- Stand Out From The Crowd. It’s a frustrating fact that waaaaay more people want to be professional TV writers than there are jobs going. Just being able to write a script isn’t enough to grab the attention of agents and producers – you need to be able to stand out from the crowd.
- Know The Landscape. TV is an expensive business – no one is going to give you your own show or even let you write episodes of high profile dramas until you are well established and they know you can handle the pressure.
- Build Real Relationships. Networking is a funny old thing – no one likes pushy people but unless you put yourself out there by getting to know agents, producers and TV makers, you’re not going to get far.
Breaking In: Created by Adam F. Goldberg, Seth Gordon. With Bret Harrison, Alphonso McAuley, Christian Slater, Jennifer Irwin. A high-tech security firm takes extreme, and often questionable, measures to sell their protection services.
- (7.6K)
- 2011-04-06
- Comedy, Crime
- 30
- You Can’T Break Through by Selling Spec Pilots
- Write A Sample Script For Existing Show
- Be Able to Crack Stories Quickly
“A lot of writers have an interest in television, but they see it as this castle that they have to get into that’s very difficult to get through the wall… what they think is the answer is that you come up with a spec idea for your own TV show. And unfortunately, it doesn’t work that way… unless you have a tremendous amount of experience writing for...
“The process that a writer needs to go through is to, first of all, write a spec script for a show that’s already on the air. What that means is that you want to focus on a particular show that you like very much, that you really know top-to-bottom. It’s a show that should be very popular so that it’s going to be running for a few years. And it sho...
“The primary emphasis in television [writing] is being able to crack stories really fast. In other words, to come up with a new story for a show at a really high rate of speed. Because TV has this time element that is much more intense than film. So you have to be great at story. And this is the primary skill that writers need to empathize.” If you...
May 30, 2024 · If you're trying to break into television writing and need help understanding the ins and outs of networks, streaming services, and getting into a writers' room, we have the articles you need. Script provides advice on how to write for TV, work in a writers' room, and more!
Jun 15, 2022 · Learn how to write for TV and break into the industry: Specs vs Originals, Network vs Cable, Single-cam vs Multi-cam, and more.
Breaking into TV Writing contains all the crucial information left out of most screenwriting books, like: How to get your first job in TV; What TV writing samples you need; How to break into the elusive TV writers’ room; How a writers’ room creates an episode of TV; Which assistant jobs are worth your time (and which you should avoid at all ...
- Anton Schettini
